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Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.

Produktbeschreibung
Shane Denson examines the ways in which computer-generated digital images displace and transform the traditional spatial and temporal relationships that viewers had with conventional analog forms of cinema.
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Autorenporträt
Shane Denson is Associate Professor of Film and Media Studies at Stanford University and author of Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface.