Mark Everist is Professor of Music at the University of Southampton, and is the author of books including French Motets in the Thirteenth Century (Cambridge, 1994) and Mozart's Ghosts: Haunting the Halls of Musical Culture (2013). He is co-editor of Analytical Strategies and Musical Interpretation (Cambridge, 1996) and of The Cambridge History of Medieval Music (Cambridge, forthcoming) as well as editor of The Cambridge Companion to Medieval Music (Cambridge, 2011). His recent collected essays on music in the French nineteenth-century theatre will be published in 2018. His current project is a monograph on Gluck reception in nineteenth-century Paris. He was President of the Royal Musical Association from 2011 to 2017.
Inhaltsangabe
Introduction: repositioning the Conductus Note to the text Acknowledgements 1. Repertories, chronology and style 2. Poetic and lyric types: words and music 3. Rhythm and metre: editing and performance 4. Cadential functions: gesture and closure 5. The mixed form: architecture and structure 6. The Conductus and the liturgy 7. Conductus and motet 8. The Conductus: intratexts and intertexts 9. Towards 1300 Conclusion Appendices Bibliography Index codicum General index.
Introduction: repositioning the Conductus Note to the text Acknowledgements 1. Repertories, chronology and style 2. Poetic and lyric types: words and music 3. Rhythm and metre: editing and performance 4. Cadential functions: gesture and closure 5. The mixed form: architecture and structure 6. The Conductus and the liturgy 7. Conductus and motet 8. The Conductus: intratexts and intertexts 9. Towards 1300 Conclusion Appendices Bibliography Index codicum General index.
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