Acknowledgements 1. Introduction: and all the birds sing bass 2. The changing same: black music in the Poetry of Amiri Baraka 2. To define an ultimate dimness: the poetry of Clarence Major 4. The world-poem in microcosm: Robert Duncans 'The Continent' 5. Uroboro's: Robert Duncan's Dante and A Seventeenth Century Suite 6. Robert Creeley's The Gold Diggers: Projective prose 7. That words can be on the page: the graphic aspect of Charles Olson's poetics 8. New series 1 (Folk series): Edward Kamau Brathwaite's New World Trilogy 9. Limbo, dislocation, phantom limb: Wilson Harris and the Caribbean occasion 10. Poseidon (Dub version) 11. The unruly pivot: Wilson Harris's The Eye of the Scarecrow 12. The Imagination of Justice: Wilson Harris's Ascent to Omai 13. Sound and sentiment, sound and symbol 14. On edge 15. Other: from noun to verb Notes Index.
Acknowledgements 1. Introduction: and all the birds sing bass 2. The changing same: black music in the Poetry of Amiri Baraka 2. To define an ultimate dimness: the poetry of Clarence Major 4. The world-poem in microcosm: Robert Duncans 'The Continent' 5. Uroboro's: Robert Duncan's Dante and A Seventeenth Century Suite 6. Robert Creeley's The Gold Diggers: Projective prose 7. That words can be on the page: the graphic aspect of Charles Olson's poetics 8. New series 1 (Folk series): Edward Kamau Brathwaite's New World Trilogy 9. Limbo, dislocation, phantom limb: Wilson Harris and the Caribbean occasion 10. Poseidon (Dub version) 11. The unruly pivot: Wilson Harris's The Eye of the Scarecrow 12. The Imagination of Justice: Wilson Harris's Ascent to Omai 13. Sound and sentiment, sound and symbol 14. On edge 15. Other: from noun to verb Notes Index.
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