Disegni di Prospettiva Ideale (1732) - Ruggero, Cristina
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In the spring of 1732 Filippo Juvarra sent from Rome an album with 41 Disegni di Prospettiva Ideale meant for August the Strong, prince-elector of Saxony and king of Poland. Bearer of the gift was Antonio Giuseppe Gabaleone Count of Wackerbarth Salmour ¿ the Turin nobleman naturalized in Saxony ¿ who at that time was in the papal city on a secret mission on the king¿s behalf. The album preserved in the Kupferstich-Kabinett of Dresden celebrates the exemplarity of Rome over the centuries. Through its themes, its staged compositions, and its graphic technique, an evocative narration unfolds ¿ a…mehr

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Produktbeschreibung
In the spring of 1732 Filippo Juvarra sent from Rome an album with 41 Disegni di Prospettiva Ideale meant for August the Strong, prince-elector of Saxony and king of Poland. Bearer of the gift was Antonio Giuseppe Gabaleone Count of Wackerbarth Salmour ¿ the Turin nobleman naturalized in Saxony ¿ who at that time was in the papal city on a secret mission on the king¿s behalf. The album preserved in the Kupferstich-Kabinett of Dresden celebrates the exemplarity of Rome over the centuries. Through its themes, its staged compositions, and its graphic technique, an evocative narration unfolds ¿ a further confirmation of Juvarra's multifaceted qualities as a great director of the arts. The drawings are here analyzed as a whole for the first time, together with some unpublished letters that help shed light on an artistic exchange involving the courts of Rome, Turin and Dresden. --
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Autorenporträt
Cristina Ruggero is currently scientific collaborator of the project ¿Antiquitatum Thesaurus¿ at the Berlin-Brandenburgische Akademie der Wissenschaften. Besides her publications on Filippo Juvarra, she has been studying for years the reception of antiquity and the cultural and artistic network of the European courts in the 17th and 18th century. She has worked together with renowned international institutions such as the Bibliotheca Hertziana and the Università La Sapienza in Rome, the Zentralinstitut für Kunstgeschichte in Munich and the Italian Academy at Columbia University in New York.