In this edited collection exploring Disney's dark side, attention to Disney's Gothic reveals the ways through which Disney productions construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.
In this edited collection exploring Disney's dark side, attention to Disney's Gothic reveals the ways through which Disney productions construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.
Edited by Lorna Piatti-Farnell and Jeffrey Andrew Weinstock - Contributions by Murray Leeder; Terry Lindvall; Jeffrey Andrew Weinstock; Jay Bamber; Carl H. Sederholm; Kathy Merlock Jackson; Gwyneth Peaty; Kevin J. Wetmore; J.S. Mackley; Nancy Johnson-Hunt
Inhaltsangabe
Introduction: Dark Shadows in the House of Mouse Lorna Piatti-Farnell and Jeffrey Andrew Weinstock Part 1: Dark Beginnings and Gothic Technologies Chapter 1: Silly Spookiness: The Skeletons of Early Disney Murray Leeder Chapter 2: From Gothic to Gags: Disney's Comic Deconstruction of Death Terry Lindvall Chapter 3: Hidden Histories: The Many Ghosts of Disney's Haunted Mansion Jeffrey Andrew Weinstock Chapter 4: Monsters on the Mouse-Tube: The Gothic Horror Cinematic Tradition and the Disney Channel Original Movie Jay Bamber Chapter 5: Sinister Surveillance: Threatened Youth in Disney's Watcher in the Woods and Something Wicked This Way Comes Carl H. Sederholm and Kathy Merlock Jackson Chapter 6: The Game is Playing Itself: Fear, Technology, and the Disney Slasher Gwyneth Peaty Part 2: Monsters and Magic Chapter 7: Disney's Tetratologies: Animated Discourses on Monsters and Heroes Kevin J. Wetmore Chapter 8: 'Who is the monster and who is the man?': Disney's Medieval Gothic in The Hunchback of Notre Dame J.S. Mackley Chapter 9: Voodoo, Hoodoo, and Friends on the Other Side: Magic, Cultural Echoes, and the Gothic Trajectories of Difference in Disney's The Princess and the Frog Nancy Johnson-Hunt and Lorna Piatti-Farnell Chapter 10: The Human/Animal Divide: Feral Children, Liminalities, and the Gothic in Disney's The Jungle Book and Tarzan Antonio Sanna Chapter 11: Primitive Life and Animated Death: Fantasia's 'Rite of Spring' as Ecogothic Christy Tidwell Part 3: Something Wicked Chapter 12: Maleficent: Monstrosity, Truth, and Post-Truth in Disney's Transmedia Fairyverse Joan Ormrod Chapter 13: Mother Knows Best: Questioning the Moral and the Immoral in Disney's Tangled Angelique Nairn Chapter 14: The Vampire Queen of the Disney Scene: The Vampiric, Gothic Excess of Ursula from The Little Mermaid Simon Bacon Chapter 15: Gorgeous, Vicious and a "Little Bit Mad": Queer-Gothic and Excessive Desire in Cruella Blair Speakman
Introduction: Dark Shadows in the House of Mouse Lorna Piatti-Farnell and Jeffrey Andrew Weinstock Part 1: Dark Beginnings and Gothic Technologies Chapter 1: Silly Spookiness: The Skeletons of Early Disney Murray Leeder Chapter 2: From Gothic to Gags: Disney's Comic Deconstruction of Death Terry Lindvall Chapter 3: Hidden Histories: The Many Ghosts of Disney's Haunted Mansion Jeffrey Andrew Weinstock Chapter 4: Monsters on the Mouse-Tube: The Gothic Horror Cinematic Tradition and the Disney Channel Original Movie Jay Bamber Chapter 5: Sinister Surveillance: Threatened Youth in Disney's Watcher in the Woods and Something Wicked This Way Comes Carl H. Sederholm and Kathy Merlock Jackson Chapter 6: The Game is Playing Itself: Fear, Technology, and the Disney Slasher Gwyneth Peaty Part 2: Monsters and Magic Chapter 7: Disney's Tetratologies: Animated Discourses on Monsters and Heroes Kevin J. Wetmore Chapter 8: 'Who is the monster and who is the man?': Disney's Medieval Gothic in The Hunchback of Notre Dame J.S. Mackley Chapter 9: Voodoo, Hoodoo, and Friends on the Other Side: Magic, Cultural Echoes, and the Gothic Trajectories of Difference in Disney's The Princess and the Frog Nancy Johnson-Hunt and Lorna Piatti-Farnell Chapter 10: The Human/Animal Divide: Feral Children, Liminalities, and the Gothic in Disney's The Jungle Book and Tarzan Antonio Sanna Chapter 11: Primitive Life and Animated Death: Fantasia's 'Rite of Spring' as Ecogothic Christy Tidwell Part 3: Something Wicked Chapter 12: Maleficent: Monstrosity, Truth, and Post-Truth in Disney's Transmedia Fairyverse Joan Ormrod Chapter 13: Mother Knows Best: Questioning the Moral and the Immoral in Disney's Tangled Angelique Nairn Chapter 14: The Vampire Queen of the Disney Scene: The Vampiric, Gothic Excess of Ursula from The Little Mermaid Simon Bacon Chapter 15: Gorgeous, Vicious and a "Little Bit Mad": Queer-Gothic and Excessive Desire in Cruella Blair Speakman
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