In addition to the portrait it paints of a fascinating man whose public life was as earnest and idealistic as his private life was shocking and titillating, Disraeli’s Disciple also provides new insights into the politics of this formative stage in British history.
In addition to the portrait it paints of a fascinating man whose public life was as earnest and idealistic as his private life was shocking and titillating, Disraeli’s Disciple also provides new insights into the politics of this formative stage in British history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Chronology 1818–75 Abbreviations Prologue: The Wild Ass’s Skin 1. A Splendid Failure? 2. 1400–1817: The Strangford Inheritance 3. 1818–26: Cradled in Commotions 4. 1826–35: George Smythe’s Schooldays 5. 1836–7: Herstmonceux and Cambridge 6. 1837–8: Faber 7. 1838–9: Pearls and Swine 8. 1840: Lady Tankerville 9. 1841: Heaven-Born Statesman or Devil-Born Orator 10. 1841: I Am a Very Zero 11. 1842: Young England 12. 1843: Worrying Peel – and Reading Casanova 13. 1844: Coningsby and Historic Fancies 14. 1844: The Pursuit of Psyche 15. 1845: The Double Game 16. 1846: Falling Upstairs – and Down 17. 1847: With a Tongue and a Pen of His Own 18. 1848–9: Very Like Assassination 19. 1850–2: Diplomatic Moves 20. 1852: Something about the Duke 21. 1853–5: The Stage-Box of My Soul 22. 1856–7: Bed-Ridden Lovelace Afterwards Notes Bibliography Index Illustrations follow page
Acknowledgments Chronology 1818–75 Abbreviations Prologue: The Wild Ass’s Skin 1. A Splendid Failure? 2. 1400–1817: The Strangford Inheritance 3. 1818–26: Cradled in Commotions 4. 1826–35: George Smythe’s Schooldays 5. 1836–7: Herstmonceux and Cambridge 6. 1837–8: Faber 7. 1838–9: Pearls and Swine 8. 1840: Lady Tankerville 9. 1841: Heaven-Born Statesman or Devil-Born Orator 10. 1841: I Am a Very Zero 11. 1842: Young England 12. 1843: Worrying Peel – and Reading Casanova 13. 1844: Coningsby and Historic Fancies 14. 1844: The Pursuit of Psyche 15. 1845: The Double Game 16. 1846: Falling Upstairs – and Down 17. 1847: With a Tongue and a Pen of His Own 18. 1848–9: Very Like Assassination 19. 1850–2: Diplomatic Moves 20. 1852: Something about the Duke 21. 1853–5: The Stage-Box of My Soul 22. 1856–7: Bed-Ridden Lovelace Afterwards Notes Bibliography Index Illustrations follow page
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