Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegeocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.
Disruptive Divas focuses on four female musicians: Tori Amos, Courtney Love, Me'Shell Ndegeocello and P. J. Harvey who have marked contemporary popular culture in unexpected ways have impelled and disturbed the boundaries of "acceptable" female musicianship.
Lori Burns is an Associate Professor and Chair of the Department of Music at the University of Ottawa. Mélisse Lafrance is a doctoral candidate in French Studies at the University of Oxford.
Inhaltsangabe
Preface Acknowledgments 1. A Cultural Studies Approach to Women and Popular Music 2. Close Readings of Popular Song: Intersections among Socio-cultural Musical and Lyrical Meanings 3. Tori Amos Crucify (1991) 4. Courtney Love (Hole) Live Through This (1994) 5. Me'Shell Ndegeocello Mary Magdalene (1996) 6. P.J. Harvey Is this desire? (1998) Appendix 1: Song Lyrics Appendix 2: Reductive Analysis: Notation and Terminology
Preface Acknowledgments 1. A Cultural Studies Approach to Women and Popular Music 2. Close Readings of Popular Song: Intersections among Socio-cultural Musical and Lyrical Meanings 3. Tori Amos Crucify (1991) 4. Courtney Love (Hole) Live Through This (1994) 5. Me'Shell Ndegeocello Mary Magdalene (1996) 6. P.J. Harvey Is this desire? (1998) Appendix 1: Song Lyrics Appendix 2: Reductive Analysis: Notation and Terminology
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