"Disonant Records is an intermedia genealogy that considers the social and technical contexts of archival recordings, and the role silence plays in history as a conduit of dissonance or resistance within and beyond established academic, government, and cultural heritage institutions"--
"Disonant Records is an intermedia genealogy that considers the social and technical contexts of archival recordings, and the role silence plays in history as a conduit of dissonance or resistance within and beyond established academic, government, and cultural heritage institutions"--
Tanya E. Clement is Associate Professor in the Department of English and Director of the Initiative for Digital Humanities at the University of Texas at Austin. She also leads High Performance Sound Technologies for Access and Scholarship (HiPSTAS).
Inhaltsangabe
Series Foreword Preface Introduction: Records and Resonance in the Archives 1. Amplify: Close Listening to Silencing and the 1921 Tulsa Race Massacre 2. Distortion: Authority, Authenticity, and Agency in Recordings of Zora Neale Hurston’s Black Folk 3. Interference: Silence and the Ideal Listener in Ralph Ellison’s American Novel 4. Compression: Self-Expression and the Entelechy of Finitude in Anne Sexton’s Poem “For the Year of the Insane” 5. Reception: Conocimiento in Gloria Anzaldúa’s Spirituality Recordings Coda: Distant Listening and Resonance Notes References Index
Series Foreword Preface Introduction: Records and Resonance in the Archives 1. Amplify: Close Listening to Silencing and the 1921 Tulsa Race Massacre 2. Distortion: Authority, Authenticity, and Agency in Recordings of Zora Neale Hurston’s Black Folk 3. Interference: Silence and the Ideal Listener in Ralph Ellison’s American Novel 4. Compression: Self-Expression and the Entelechy of Finitude in Anne Sexton’s Poem “For the Year of the Insane” 5. Reception: Conocimiento in Gloria Anzaldúa’s Spirituality Recordings Coda: Distant Listening and Resonance Notes References Index
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