Images of starving children, bombed villages and mass graves brought to us by television in the comfort of our homes implicitly call on us to act. What can we do when the suffering we see is so distant and we feel powerless compared with the forces behind the suffering? Luc Boltanski examines the ways in which, since the end of the eighteenth century, spectators have tried to respond acceptably to what they have seen, and discusses whether there remains a place for pity in modern politics.
Images of starving children, bombed villages and mass graves brought to us by television in the comfort of our homes implicitly call on us to act. What can we do when the suffering we see is so distant and we feel powerless compared with the forces behind the suffering? Luc Boltanski examines the ways in which, since the end of the eighteenth century, spectators have tried to respond acceptably to what they have seen, and discusses whether there remains a place for pity in modern politics.
Luc Boltanski is a leading French sociologist and professor at the École des hautes études en sciences sociales, Paris. Many of his works have been translated into English, including The New Spirit of Capitalism (2005), On Justification (2006), On Critique: A Sociology of Emancipation (2011), Love and Justice as Competences (2012) and Mysteries and Conspiracies (2014).
Inhaltsangabe
Part I. The Question of the Spectator: 1. The politics of pity 2. Taking sides 3. The moral spectator Part II. The Topics of Suffering: 4. The topic of denunciation 5. The topic of sentiment 6. The critique of sentimentalism 7. The aesthetic topic 8. Heroes and the accursed Part III. The Crisis of Pity: 9. What reality has misfortune? 10. How realistic is action?
Part I. The Question of the Spectator: 1. The politics of pity 2. Taking sides 3. The moral spectator Part II. The Topics of Suffering: 4. The topic of denunciation 5. The topic of sentiment 6. The critique of sentimentalism 7. The aesthetic topic 8. Heroes and the accursed Part III. The Crisis of Pity: 9. What reality has misfortune? 10. How realistic is action?
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