Disturbances in the videographic image and the hijacking of the visible - Challouf, Narjes
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Narjes Challouf, born in 1992, is a visual artist specialising in media art and a doctoral student in aesthetics and art practice at the Institut Supérieur des Arts de Sousse. This work is mainly concerned with the sense of misappropriation of the videographic image. It is an experimental face produced with new technologies and various disturbing materials such as water, Indian ink and sand.the use of video poses the question of diversion, instability, fluidity and non-constancy. Based on this observation, the fluid texture of the 'electronic' videographic image is constantly changing and…mehr

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Produktbeschreibung
Narjes Challouf, born in 1992, is a visual artist specialising in media art and a doctoral student in aesthetics and art practice at the Institut Supérieur des Arts de Sousse. This work is mainly concerned with the sense of misappropriation of the videographic image. It is an experimental face produced with new technologies and various disturbing materials such as water, Indian ink and sand.the use of video poses the question of diversion, instability, fluidity and non-constancy. Based on this observation, the fluid texture of the 'electronic' videographic image is constantly changing and reformulated by light and reflection, and flows like water, changing form and state. Key words: Distribution, transition, manipulation, transformation, illusion, diversion, passage, transmission, identifiable, unidentifiable.
Autorenporträt
Narjes Challouf, geboren 1992, ist bildende Künstlerin im Bereich Medienkunst und Doktorandin im Bereich Ästhetik und Praxis der Künste am Institut supérieur des arts de Sousse.