Diversity, Inclusion, and Representation in Contemporary Dramaturgy
Case Studies from the Field
Herausgeber: Kelly, Philippa
Diversity, Inclusion, and Representation in Contemporary Dramaturgy
Case Studies from the Field
Herausgeber: Kelly, Philippa
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Diversity, Inclusion, and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared.
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Diversity, Inclusion, and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 136
- Erscheinungstermin: 7. April 2020
- Englisch
- Abmessung: 221mm x 142mm x 15mm
- Gewicht: 295g
- ISBN-13: 9781138334458
- ISBN-10: 1138334456
- Artikelnr.: 59415780
- Verlag: Routledge
- Seitenzahl: 136
- Erscheinungstermin: 7. April 2020
- Englisch
- Abmessung: 221mm x 142mm x 15mm
- Gewicht: 295g
- ISBN-13: 9781138334458
- ISBN-10: 1138334456
- Artikelnr.: 59415780
Philippa Kelly is Resident Dramaturg for the California Shakespeare Theater; Professor and Chair of English at the California Jazz Conservatory; Adjunct Professor at the University of California, Berkeley; and Visiting Senior Fellow at the University of New South Wales in Australia. Amrita Ramanan is the Director of Literary Development and Dramaturgy at the Oregon Shakespeare Festival and a Board Member for the Literary Managers and Dramaturgs of the Americas. She was previously an Artistic Associate and Literary Manager at Arena Stage for five seasons.
Preface: Philippa Kelly; Acknowledgements: Philippa Kelly and Amrita
Ramanan; Introduction: Philippa Kelly: Dramaturgy in Motion; Section one:
permission to speak; 1 Faedra Chatard Carpenter: Deconstructing Our
Perspectives on Casting: An "Inter-Article" with Hana S. Sharif; 2 Scott
Horstein: Dramaturgy as Prophecy: Facing Our Truth and Dramaturging the
Predominantly White Institution; 3 Awele Makeba: the dramaturgy of the
classroom; Section two: taking up positions - playwright/dramaturg; 4
Martine Kei Green-Rogers: The Dramaturgy of Black Culture: The Court
Theatre's Productions of August Wilson's Century Cycle; 5 Izumi Ashizawa,
with Ajuawak Kapashesit embodied dramaturgy: the development of the
indigenous play, the patron saint of the lost children.; 6 Finn Lefevre:
The Name (isn't a) Game: New Explorations in Trans Applied Theatre; 7 Julie
Felise Dubiner: Translation and Form; Section three: who's "at the table"?;
8 Jonathan Meth: crossing the line; 9 Tim Collingwood: depth perception:
re-thinking social roles, staging aspergers from the inside.; 10 Annalisa
Dias: Decolonizing Equity and Inclusion - Strategies for Resisting White
Supremacy.; 11 Mei Ann Teo: dramaturging revolution: diana Oh's {my
lingerie play} 2017: the concert and call to arms!!!!!!!!! the final
installation.; Section four: cultural landscapes, past, present and
future.; 12 Walter Byongsok Chon: The stakes of expanding a cultural
landscape: dramaturging, adapting and performing Gao Xingjian's The Other
Shore; 13 Michael M. Chemers: VISIT TO A ZOOT PLANET: USC SUITS UP IN 2017;
14 Mark Bly: the dramaturgical impulse: or how big is your universe?; 15
Philippa Kelly: epilogue; Authors' Biographical details and contact
information
Ramanan; Introduction: Philippa Kelly: Dramaturgy in Motion; Section one:
permission to speak; 1 Faedra Chatard Carpenter: Deconstructing Our
Perspectives on Casting: An "Inter-Article" with Hana S. Sharif; 2 Scott
Horstein: Dramaturgy as Prophecy: Facing Our Truth and Dramaturging the
Predominantly White Institution; 3 Awele Makeba: the dramaturgy of the
classroom; Section two: taking up positions - playwright/dramaturg; 4
Martine Kei Green-Rogers: The Dramaturgy of Black Culture: The Court
Theatre's Productions of August Wilson's Century Cycle; 5 Izumi Ashizawa,
with Ajuawak Kapashesit embodied dramaturgy: the development of the
indigenous play, the patron saint of the lost children.; 6 Finn Lefevre:
The Name (isn't a) Game: New Explorations in Trans Applied Theatre; 7 Julie
Felise Dubiner: Translation and Form; Section three: who's "at the table"?;
8 Jonathan Meth: crossing the line; 9 Tim Collingwood: depth perception:
re-thinking social roles, staging aspergers from the inside.; 10 Annalisa
Dias: Decolonizing Equity and Inclusion - Strategies for Resisting White
Supremacy.; 11 Mei Ann Teo: dramaturging revolution: diana Oh's {my
lingerie play} 2017: the concert and call to arms!!!!!!!!! the final
installation.; Section four: cultural landscapes, past, present and
future.; 12 Walter Byongsok Chon: The stakes of expanding a cultural
landscape: dramaturging, adapting and performing Gao Xingjian's The Other
Shore; 13 Michael M. Chemers: VISIT TO A ZOOT PLANET: USC SUITS UP IN 2017;
14 Mark Bly: the dramaturgical impulse: or how big is your universe?; 15
Philippa Kelly: epilogue; Authors' Biographical details and contact
information
Preface: Philippa Kelly; Acknowledgements: Philippa Kelly and Amrita
Ramanan; Introduction: Philippa Kelly: Dramaturgy in Motion; Section one:
permission to speak; 1 Faedra Chatard Carpenter: Deconstructing Our
Perspectives on Casting: An "Inter-Article" with Hana S. Sharif; 2 Scott
Horstein: Dramaturgy as Prophecy: Facing Our Truth and Dramaturging the
Predominantly White Institution; 3 Awele Makeba: the dramaturgy of the
classroom; Section two: taking up positions - playwright/dramaturg; 4
Martine Kei Green-Rogers: The Dramaturgy of Black Culture: The Court
Theatre's Productions of August Wilson's Century Cycle; 5 Izumi Ashizawa,
with Ajuawak Kapashesit embodied dramaturgy: the development of the
indigenous play, the patron saint of the lost children.; 6 Finn Lefevre:
The Name (isn't a) Game: New Explorations in Trans Applied Theatre; 7 Julie
Felise Dubiner: Translation and Form; Section three: who's "at the table"?;
8 Jonathan Meth: crossing the line; 9 Tim Collingwood: depth perception:
re-thinking social roles, staging aspergers from the inside.; 10 Annalisa
Dias: Decolonizing Equity and Inclusion - Strategies for Resisting White
Supremacy.; 11 Mei Ann Teo: dramaturging revolution: diana Oh's {my
lingerie play} 2017: the concert and call to arms!!!!!!!!! the final
installation.; Section four: cultural landscapes, past, present and
future.; 12 Walter Byongsok Chon: The stakes of expanding a cultural
landscape: dramaturging, adapting and performing Gao Xingjian's The Other
Shore; 13 Michael M. Chemers: VISIT TO A ZOOT PLANET: USC SUITS UP IN 2017;
14 Mark Bly: the dramaturgical impulse: or how big is your universe?; 15
Philippa Kelly: epilogue; Authors' Biographical details and contact
information
Ramanan; Introduction: Philippa Kelly: Dramaturgy in Motion; Section one:
permission to speak; 1 Faedra Chatard Carpenter: Deconstructing Our
Perspectives on Casting: An "Inter-Article" with Hana S. Sharif; 2 Scott
Horstein: Dramaturgy as Prophecy: Facing Our Truth and Dramaturging the
Predominantly White Institution; 3 Awele Makeba: the dramaturgy of the
classroom; Section two: taking up positions - playwright/dramaturg; 4
Martine Kei Green-Rogers: The Dramaturgy of Black Culture: The Court
Theatre's Productions of August Wilson's Century Cycle; 5 Izumi Ashizawa,
with Ajuawak Kapashesit embodied dramaturgy: the development of the
indigenous play, the patron saint of the lost children.; 6 Finn Lefevre:
The Name (isn't a) Game: New Explorations in Trans Applied Theatre; 7 Julie
Felise Dubiner: Translation and Form; Section three: who's "at the table"?;
8 Jonathan Meth: crossing the line; 9 Tim Collingwood: depth perception:
re-thinking social roles, staging aspergers from the inside.; 10 Annalisa
Dias: Decolonizing Equity and Inclusion - Strategies for Resisting White
Supremacy.; 11 Mei Ann Teo: dramaturging revolution: diana Oh's {my
lingerie play} 2017: the concert and call to arms!!!!!!!!! the final
installation.; Section four: cultural landscapes, past, present and
future.; 12 Walter Byongsok Chon: The stakes of expanding a cultural
landscape: dramaturging, adapting and performing Gao Xingjian's The Other
Shore; 13 Michael M. Chemers: VISIT TO A ZOOT PLANET: USC SUITS UP IN 2017;
14 Mark Bly: the dramaturgical impulse: or how big is your universe?; 15
Philippa Kelly: epilogue; Authors' Biographical details and contact
information