Diverting Authorities examines literary experimentation in the fifteenth and sixteenth centuries. It looks at marginal annotations or 'glosses' provided by authors in a wide range of texts and argues that they provide important evidence for evolving ideas of authorship and literary authority.
Diverting Authorities examines literary experimentation in the fifteenth and sixteenth centuries. It looks at marginal annotations or 'glosses' provided by authors in a wide range of texts and argues that they provide important evidence for evolving ideas of authorship and literary authority.
Jane Griffiths is Tutor and Fellow in English at Wadham College, Oxford. Her first monograph, John Skelton and Poetic Authority: Defining the Liberty to Speak, was published by OUP in 2006, and her most recent collection of poetry is Terrestrial Variations (Bloodaxe, 2012).
Inhaltsangabe
* Introduction * 1: Material Processes: The Glossing of Lydgate's Siege of Thebes and Fall of Princes * 2: Authors, Translators and Commentators: Glossing Practices in Bodleian MS Fairfax 16 * 3: Exhortations to the Reader: The Double Glossing of Douglas's Eneados * 4: Glossing the Spoken Word: Erasmus's Moriae Encomium and Thomas Chaloner's Praise of Folie * 5: 'A Broil of Voices': The Printed Word in Baldwin's Beware the Cat and Bullein's Dialogue against the Fever Pestilence * 6: 'Masking naked in a net': George Gascoigne and Sir John Harington * 7: 'Playing the Dolt in Print': The Extemporary Glossing of Nashe's Pierce Penilesse * Afterword
* Introduction * 1: Material Processes: The Glossing of Lydgate's Siege of Thebes and Fall of Princes * 2: Authors, Translators and Commentators: Glossing Practices in Bodleian MS Fairfax 16 * 3: Exhortations to the Reader: The Double Glossing of Douglas's Eneados * 4: Glossing the Spoken Word: Erasmus's Moriae Encomium and Thomas Chaloner's Praise of Folie * 5: 'A Broil of Voices': The Printed Word in Baldwin's Beware the Cat and Bullein's Dialogue against the Fever Pestilence * 6: 'Masking naked in a net': George Gascoigne and Sir John Harington * 7: 'Playing the Dolt in Print': The Extemporary Glossing of Nashe's Pierce Penilesse * Afterword
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