Divorce vs. Democracy - Chesterton, G K
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This early work by G. K. Chesterton was originally published in 1916. Gilbert Keith Chesterton was born in London in 1874. He studied at the Slade School of Art, and upon graduating began to work as a freelance journalist. Over the course of his life, his literary output was incredibly diverse and highly prolific, ranging from philosophy and ontology to art criticism and detective fiction. However, he is probably best-remembered for his Christian apologetics, most notably in Orthodoxy (1908) and The Everlasting Man (1925). We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.…mehr

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Produktbeschreibung
This early work by G. K. Chesterton was originally published in 1916. Gilbert Keith Chesterton was born in London in 1874. He studied at the Slade School of Art, and upon graduating began to work as a freelance journalist. Over the course of his life, his literary output was incredibly diverse and highly prolific, ranging from philosophy and ontology to art criticism and detective fiction. However, he is probably best-remembered for his Christian apologetics, most notably in Orthodoxy (1908) and The Everlasting Man (1925). We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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Autorenporträt
G. K. Chesterton, foi um escritor, poeta, dramaturgo, jornalista, palestrante, biógrafo, e crítico de arte inglês. Chesterton é muitas vezes referido como o "príncipe do paradoxo".Sobre seu estilo, a revista Time comentou: "Sempre que possível Chesterton produz seus pontos com ditos populares, provérbios, alegorias - primeiro, cuidadosamente, virando-os de dentro para fora." Chesterton é bem conhecido por seu personagem de ficção, o sacerdote-detetive Padre Brown, e por sua apologética. Mesmo seus oponentes reconheceram a importância de textos como Ortodoxia ou O Homem Eterno. Um dos principais admiradores de Chesterton foi o escritor argentino Jorge Luís Borges, que viu no inglês um escritor na linha de Franz Kafka e Edgar Allan Poe, reconhecendo, contudo, um estilo que deu a Chesterton sua própria originalidade.