"Docu-Fictions of War examines contemporary cinematic and literary texts that, contrary to their designation, are not pure fiction but rather 'docu-fictions'--works of imagination that document their subjects while disclosing the social, political, and historical link between war and culture during the last three decades"--
"Docu-Fictions of War examines contemporary cinematic and literary texts that, contrary to their designation, are not pure fiction but rather 'docu-fictions'--works of imagination that document their subjects while disclosing the social, political, and historical link between war and culture during the last three decades"--
Tatiana Prorokova is a postdoctoral researcher and lecturer in the Department of English and American Studies at the University of Vienna. She is a coeditor of Cultures of War in Graphic Novels: Violence, Trauma, and Memory.
Inhaltsangabe
Acknowledgments Introduction: U.S. Interventions in Film and Literature 1. Conceptualizing (War) Docu-Fictions 2. The First Gulf War 3. The Balkan War 4. The War on Terror, Part I: The Afghanistan War 5. The War on Terror, Part II: The Iraq War Conclusion: Afterthoughts on War Docu-Fictions and New Trends in U.S. War Narratives Notes Bibliography Index
Acknowledgments Introduction: U.S. Interventions in Film and Literature 1. Conceptualizing (War) Docu-Fictions 2. The First Gulf War 3. The Balkan War 4. The War on Terror, Part I: The Afghanistan War 5. The War on Terror, Part II: The Iraq War Conclusion: Afterthoughts on War Docu-Fictions and New Trends in U.S. War Narratives Notes Bibliography Index
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