In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world.
In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as "documentary" and the way in which they investigate, engage with, and interrogate the world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Patricia R. Zimmermann
Inhaltsangabe
Foreword / Gina Marchetti Introduction: Documentary Across Platforms Part I: Platforms 1. Reverse Engineering: Taking Things Apart for the New Global Media Ecology 2. Ardent Spaces, Formidable Environments 3. Precious Places, Scribe Video Center, Philadelphia 4. The Hand That Holds Up All This Falling: The Works of Daniel Reeves 5. Cartographies of Impossible and Possible Worlds: The Photography of Michael Kienitz 6. Black Soil: Chernozem and Tusit in Ukraine Part II: Reversals 7. Matrices of War 8. Blasting War 9. Digital Deployments 10. Public Domains: Engaging Iraq through Experimental Digitalities 11. Cambodian Digital Imaginary Archive: Genocide, Lara Croft, and Crafts Part III: Histories 12. The Home Movie Archive Live 13. Throbs and Pulsations: Les LeVeque and the Digitizing of Desire 14. Just Say No: Negativland's No Business 15. Remixed and Revisited Black Cinema: Oscar Micheaux's Within Our Gates Live Project 16. Live!: Reconnecting the Histories of Live Multimedia Performance 17. Toward a Theory of Participatory New Media Documentary Part IV: Speculative Engineering 18. Home Movie Axioms 19. Speculations on Environmental Sensualities and Eco-Documentaries 20. Speculations on Reverse Engineering: Algorithms for Recombinant Documentaries Across Platforms Acknowledgements Notes Index
Foreword / Gina Marchetti Introduction: Documentary Across Platforms Part I: Platforms 1. Reverse Engineering: Taking Things Apart for the New Global Media Ecology 2. Ardent Spaces, Formidable Environments 3. Precious Places, Scribe Video Center, Philadelphia 4. The Hand That Holds Up All This Falling: The Works of Daniel Reeves 5. Cartographies of Impossible and Possible Worlds: The Photography of Michael Kienitz 6. Black Soil: Chernozem and Tusit in Ukraine Part II: Reversals 7. Matrices of War 8. Blasting War 9. Digital Deployments 10. Public Domains: Engaging Iraq through Experimental Digitalities 11. Cambodian Digital Imaginary Archive: Genocide, Lara Croft, and Crafts Part III: Histories 12. The Home Movie Archive Live 13. Throbs and Pulsations: Les LeVeque and the Digitizing of Desire 14. Just Say No: Negativland's No Business 15. Remixed and Revisited Black Cinema: Oscar Micheaux's Within Our Gates Live Project 16. Live!: Reconnecting the Histories of Live Multimedia Performance 17. Toward a Theory of Participatory New Media Documentary Part IV: Speculative Engineering 18. Home Movie Axioms 19. Speculations on Environmental Sensualities and Eco-Documentaries 20. Speculations on Reverse Engineering: Algorithms for Recombinant Documentaries Across Platforms Acknowledgements Notes Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826