This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present with attention to the way the films of this period incorporate, reflect on, and reworks a variety of archival materials, including official documents, ethnographic images, and home movies and photo albums.
This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present with attention to the way the films of this period incorporate, reflect on, and reworks a variety of archival materials, including official documents, ethnographic images, and home movies and photo albums.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gustavo Procopio Furtado is Assistant Professor of Romance Studies, Latin American Studies, and Arts of the Moving Image at Duke University where he teaches classes on Latin American literature and cinema. His research focuses on audiovisual production with special attention to documentary and ethnographic film traditions and to the intersections between aesthetics and politics.
Inhaltsangabe
* Acknowledgements * Introduction * PART I - ETHNOGRAPHIES OF THE INDIGENOUS * 1. Feverish Archives, Feverish Films: Ethnographic Documentary and Crisis at Amazonian Contact Zones * 2. Reparative Mediations:Indigeneity, Videomaking, and the Future of the Ethnographic Archive * PART II - LAW, EVIDENCE, CAPTURE * 3. Scenes of Capture in the City: Documentary on the Margins of Social and Archival Visibilities * 4. Tactics of the Invisible, Shadow Archives:Resistance and Filmmaking on the Outskirts of Brasilia * PART III - PRIVATE LIFE (GOING PUBLIC) * 5. Homes, Archives, and Archons: Reworking the "Home Mode" in the Contemporary Documentary * 6. The Melancholy Subject of History: Intimate Films and the Inheritance of Postdictatorship Memory * Epilogue * Filmography * Bibliography * Index
* Acknowledgements * Introduction * PART I - ETHNOGRAPHIES OF THE INDIGENOUS * 1. Feverish Archives, Feverish Films: Ethnographic Documentary and Crisis at Amazonian Contact Zones * 2. Reparative Mediations:Indigeneity, Videomaking, and the Future of the Ethnographic Archive * PART II - LAW, EVIDENCE, CAPTURE * 3. Scenes of Capture in the City: Documentary on the Margins of Social and Archival Visibilities * 4. Tactics of the Invisible, Shadow Archives:Resistance and Filmmaking on the Outskirts of Brasilia * PART III - PRIVATE LIFE (GOING PUBLIC) * 5. Homes, Archives, and Archons: Reworking the "Home Mode" in the Contemporary Documentary * 6. The Melancholy Subject of History: Intimate Films and the Inheritance of Postdictatorship Memory * Epilogue * Filmography * Bibliography * Index
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