Doing Research in Sound Design
Herausgeber: Filimowicz, Michael
Doing Research in Sound Design
Herausgeber: Filimowicz, Michael
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â Doing Research in Sound Designâ gathers chapters on the wide range of research methodologies used in sound design. Editor Michael Filimowicz and a diverse group of contributors provide an overview of cross-disciplinary inquiry into sound design that transcends discursive and practical divides.
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â Doing Research in Sound Designâ gathers chapters on the wide range of research methodologies used in sound design. Editor Michael Filimowicz and a diverse group of contributors provide an overview of cross-disciplinary inquiry into sound design that transcends discursive and practical divides.
Produktdetails
- Produktdetails
- Sound Design
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 372
- Erscheinungstermin: 24. November 2021
- Englisch
- Abmessung: 234mm x 193mm x 27mm
- Gewicht: 734g
- ISBN-13: 9780367404895
- ISBN-10: 0367404893
- Artikelnr.: 60799075
- Sound Design
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 372
- Erscheinungstermin: 24. November 2021
- Englisch
- Abmessung: 234mm x 193mm x 27mm
- Gewicht: 734g
- ISBN-13: 9780367404895
- ISBN-10: 0367404893
- Artikelnr.: 60799075
Michael Filimowicz is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University. He has a background in computer mediated communications, audiovisual production, new media art and creative writing. His research develops new multimodal display technologies, exploring novel form factors across different application contexts including gaming, immersive exhibitions, telepresence and simulations.
Volume Introduction
Michael Filimowicz
1. Sound Design Thinking
Vincent Meelberg
2. Meaning-making and Embodied Cognition in Sound Design Research
Stephen Roddy and Brian Bridges
3. Mapping Space and Time in the Soundtrack: Embodied Cognition and the
Soundtrack's Spatiotemporal Contract
Adam Melvin and Brian Bridges
4. Measuring People's Cognitive and Emotional Response: Psychophysiological
Methods to Study Sound Design
Emma Rodero
5. Watching and Evaluating Simultaneously: an Approach to Measure the
Expressive Power of Sound Design in a Moving Picture
Maximilian Kock
6. Using a Semiotic Approach to the Practice of Sound Design
Leo Murray
7. Audi(o) Branding and Object Sounds in an Audio-visual Setting - the Case
of the Car
Nicolai Jørgensgaard Graakjær
8. Designing and Reporting Research on Sound Design and Music for Health -
Methods and Frameworks for Impact
Kjetil Falkenberg Hansen and Emma Frid
9. Practice-led and Interdisciplinary Research: Investigating Affective
Sound Design
Stuart Cunningham and Jon Weinel
10. Research-creation as a Generative Approach to Sound Design
Prophecy Sun, Kate Hennessey, Kristin Carlson
11. The Soundscape Approach: New Opportunities in Sound Design Practice
Ian Thompson
12. Developing a Sound Design Creative A.i. Methodology
Miles Thorogood
13. Sonification Research: Overview and Emerging Topics
Sandra Pauletto, Roberto Bresin
14. Sound Design in the Context of Sonification
Visda Goudarzi
15. Creating and Evaluating Aesthetics in Sonification
Nuria Bonet
16. Revealing Industry Culture: a Cultural Ethnographic Approach to
Post-production Sound Vanessa Ament
17. Sound Design as Viewed by Sound Designers: a Questionnaire About
People, Practice, and Definitions
Laura Zattra, Nicolas Donin, David Fierro, Frank Pecquet, and Nicolis
Misdarlis
18. Qualitative, Pragmatic, and Hermeneutic Inquiries in Electroacoustic
Compositions: Selected Case Studies
Maria Kallionpää
19. The Bold and the Beautiful Methods of Sound Experience Research: An
Introduction to Mixing the Qualitative and Quantitative Study of the
Subjective Experience of Sound and Music in Video Games
Hans-Peter Gasselseder
Index
Michael Filimowicz
1. Sound Design Thinking
Vincent Meelberg
2. Meaning-making and Embodied Cognition in Sound Design Research
Stephen Roddy and Brian Bridges
3. Mapping Space and Time in the Soundtrack: Embodied Cognition and the
Soundtrack's Spatiotemporal Contract
Adam Melvin and Brian Bridges
4. Measuring People's Cognitive and Emotional Response: Psychophysiological
Methods to Study Sound Design
Emma Rodero
5. Watching and Evaluating Simultaneously: an Approach to Measure the
Expressive Power of Sound Design in a Moving Picture
Maximilian Kock
6. Using a Semiotic Approach to the Practice of Sound Design
Leo Murray
7. Audi(o) Branding and Object Sounds in an Audio-visual Setting - the Case
of the Car
Nicolai Jørgensgaard Graakjær
8. Designing and Reporting Research on Sound Design and Music for Health -
Methods and Frameworks for Impact
Kjetil Falkenberg Hansen and Emma Frid
9. Practice-led and Interdisciplinary Research: Investigating Affective
Sound Design
Stuart Cunningham and Jon Weinel
10. Research-creation as a Generative Approach to Sound Design
Prophecy Sun, Kate Hennessey, Kristin Carlson
11. The Soundscape Approach: New Opportunities in Sound Design Practice
Ian Thompson
12. Developing a Sound Design Creative A.i. Methodology
Miles Thorogood
13. Sonification Research: Overview and Emerging Topics
Sandra Pauletto, Roberto Bresin
14. Sound Design in the Context of Sonification
Visda Goudarzi
15. Creating and Evaluating Aesthetics in Sonification
Nuria Bonet
16. Revealing Industry Culture: a Cultural Ethnographic Approach to
Post-production Sound Vanessa Ament
17. Sound Design as Viewed by Sound Designers: a Questionnaire About
People, Practice, and Definitions
Laura Zattra, Nicolas Donin, David Fierro, Frank Pecquet, and Nicolis
Misdarlis
18. Qualitative, Pragmatic, and Hermeneutic Inquiries in Electroacoustic
Compositions: Selected Case Studies
Maria Kallionpää
19. The Bold and the Beautiful Methods of Sound Experience Research: An
Introduction to Mixing the Qualitative and Quantitative Study of the
Subjective Experience of Sound and Music in Video Games
Hans-Peter Gasselseder
Index
Volume Introduction
Michael Filimowicz
1. Sound Design Thinking
Vincent Meelberg
2. Meaning-making and Embodied Cognition in Sound Design Research
Stephen Roddy and Brian Bridges
3. Mapping Space and Time in the Soundtrack: Embodied Cognition and the
Soundtrack's Spatiotemporal Contract
Adam Melvin and Brian Bridges
4. Measuring People's Cognitive and Emotional Response: Psychophysiological
Methods to Study Sound Design
Emma Rodero
5. Watching and Evaluating Simultaneously: an Approach to Measure the
Expressive Power of Sound Design in a Moving Picture
Maximilian Kock
6. Using a Semiotic Approach to the Practice of Sound Design
Leo Murray
7. Audi(o) Branding and Object Sounds in an Audio-visual Setting - the Case
of the Car
Nicolai Jørgensgaard Graakjær
8. Designing and Reporting Research on Sound Design and Music for Health -
Methods and Frameworks for Impact
Kjetil Falkenberg Hansen and Emma Frid
9. Practice-led and Interdisciplinary Research: Investigating Affective
Sound Design
Stuart Cunningham and Jon Weinel
10. Research-creation as a Generative Approach to Sound Design
Prophecy Sun, Kate Hennessey, Kristin Carlson
11. The Soundscape Approach: New Opportunities in Sound Design Practice
Ian Thompson
12. Developing a Sound Design Creative A.i. Methodology
Miles Thorogood
13. Sonification Research: Overview and Emerging Topics
Sandra Pauletto, Roberto Bresin
14. Sound Design in the Context of Sonification
Visda Goudarzi
15. Creating and Evaluating Aesthetics in Sonification
Nuria Bonet
16. Revealing Industry Culture: a Cultural Ethnographic Approach to
Post-production Sound Vanessa Ament
17. Sound Design as Viewed by Sound Designers: a Questionnaire About
People, Practice, and Definitions
Laura Zattra, Nicolas Donin, David Fierro, Frank Pecquet, and Nicolis
Misdarlis
18. Qualitative, Pragmatic, and Hermeneutic Inquiries in Electroacoustic
Compositions: Selected Case Studies
Maria Kallionpää
19. The Bold and the Beautiful Methods of Sound Experience Research: An
Introduction to Mixing the Qualitative and Quantitative Study of the
Subjective Experience of Sound and Music in Video Games
Hans-Peter Gasselseder
Index
Michael Filimowicz
1. Sound Design Thinking
Vincent Meelberg
2. Meaning-making and Embodied Cognition in Sound Design Research
Stephen Roddy and Brian Bridges
3. Mapping Space and Time in the Soundtrack: Embodied Cognition and the
Soundtrack's Spatiotemporal Contract
Adam Melvin and Brian Bridges
4. Measuring People's Cognitive and Emotional Response: Psychophysiological
Methods to Study Sound Design
Emma Rodero
5. Watching and Evaluating Simultaneously: an Approach to Measure the
Expressive Power of Sound Design in a Moving Picture
Maximilian Kock
6. Using a Semiotic Approach to the Practice of Sound Design
Leo Murray
7. Audi(o) Branding and Object Sounds in an Audio-visual Setting - the Case
of the Car
Nicolai Jørgensgaard Graakjær
8. Designing and Reporting Research on Sound Design and Music for Health -
Methods and Frameworks for Impact
Kjetil Falkenberg Hansen and Emma Frid
9. Practice-led and Interdisciplinary Research: Investigating Affective
Sound Design
Stuart Cunningham and Jon Weinel
10. Research-creation as a Generative Approach to Sound Design
Prophecy Sun, Kate Hennessey, Kristin Carlson
11. The Soundscape Approach: New Opportunities in Sound Design Practice
Ian Thompson
12. Developing a Sound Design Creative A.i. Methodology
Miles Thorogood
13. Sonification Research: Overview and Emerging Topics
Sandra Pauletto, Roberto Bresin
14. Sound Design in the Context of Sonification
Visda Goudarzi
15. Creating and Evaluating Aesthetics in Sonification
Nuria Bonet
16. Revealing Industry Culture: a Cultural Ethnographic Approach to
Post-production Sound Vanessa Ament
17. Sound Design as Viewed by Sound Designers: a Questionnaire About
People, Practice, and Definitions
Laura Zattra, Nicolas Donin, David Fierro, Frank Pecquet, and Nicolis
Misdarlis
18. Qualitative, Pragmatic, and Hermeneutic Inquiries in Electroacoustic
Compositions: Selected Case Studies
Maria Kallionpää
19. The Bold and the Beautiful Methods of Sound Experience Research: An
Introduction to Mixing the Qualitative and Quantitative Study of the
Subjective Experience of Sound and Music in Video Games
Hans-Peter Gasselseder
Index