This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.
This book is a unique scholarly attempt to examine Don Quixote from multiple angles to see how the re-accentuation of the world's greatest literary hero takes place in film, theater, and literature. To accomplish this task, eighteen scholars have come together, and each of them has brought his/her unique perspective to the subject.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Slav N. Gratchev is associate professor of Spanish at Marshall University. Howard Mancing is professor of Spanish at Purdue University.
Inhaltsangabe
Acknowledgements Introduction by Howard Mancing and Slav N. Gratchev Part I: Re-accentuation: Theoretical Introduction Chapter I: On Re-accentuation, Adaptation, and Imitation of Don Quixote by Tatevik Gyulamiryan Part II: Imagery and Ideology Chapter 2: Don Quixote Re-depicted by Eduardo Urbina & Fernando González Moreno Chapter 3: Don Quixote in the Rise of Modern Novel: The Satirical Interpretation by Emilio Martínez Mata Chapter 4: Don Quixote and the Chivalric Ideal in Classics Illustrated Comics (1941-1971) by Ricardo Castells Chapter 5: A Horse of a Different Color: Salvador Dalí and the Re-imagining of Clavileño by S. Alleyn Smythe Chapter 5: Image not Found: Portraiture, Identity, and the future of Cervantismo by Stephen Hessel Part III: Literature Chapter 6: Borges and the Hermeneutics of the Novel by J. A. Garrido Ardila Chapter 7: World War and the Novel: Responding to Don Quixote in 1914 and 1934 by Rachel Schmidt Chapter 8: The Don Quixotes of Science Fiction by Howard Mancing Part IV: Film Chapter 9: The Art of re-accentuation: Don Quixote by Grigori Kozintsev by Slav N. Gratchev Chapter 10: Surviving the Hollywood Blacklist: Waldo Salt's adaptation of Don Quixote by William Childers Chapter 11: Crouching Squire, Hidden Madman: Ah Gan's Don Quixote and Postmodern China by Bruce Burningham Chapter 12: Amélie as Re-accentuation of Cervantes by Jonathan Wade Chapter 13: Extracting the Essence of Don Quixote for a Puppet film by Steven Ritz-Barr Part V: Theater and Television Chapter 14: The Spanish Knight Among the Soviet People: Dramatic Re-accentuations of Don Quixote as a Doomed Performer by Margarita Marinova & Scott Pollard Chapter 15: A Russian Lancelot and His Don Quixote by Victor Fet Part VI: Don Quixote in The New World Chapter 16: The Visionary's Quixote by Roy H. Williams Bibliography Index About the Editors
Acknowledgements Introduction by Howard Mancing and Slav N. Gratchev Part I: Re-accentuation: Theoretical Introduction Chapter I: On Re-accentuation, Adaptation, and Imitation of Don Quixote by Tatevik Gyulamiryan Part II: Imagery and Ideology Chapter 2: Don Quixote Re-depicted by Eduardo Urbina & Fernando González Moreno Chapter 3: Don Quixote in the Rise of Modern Novel: The Satirical Interpretation by Emilio Martínez Mata Chapter 4: Don Quixote and the Chivalric Ideal in Classics Illustrated Comics (1941-1971) by Ricardo Castells Chapter 5: A Horse of a Different Color: Salvador Dalí and the Re-imagining of Clavileño by S. Alleyn Smythe Chapter 5: Image not Found: Portraiture, Identity, and the future of Cervantismo by Stephen Hessel Part III: Literature Chapter 6: Borges and the Hermeneutics of the Novel by J. A. Garrido Ardila Chapter 7: World War and the Novel: Responding to Don Quixote in 1914 and 1934 by Rachel Schmidt Chapter 8: The Don Quixotes of Science Fiction by Howard Mancing Part IV: Film Chapter 9: The Art of re-accentuation: Don Quixote by Grigori Kozintsev by Slav N. Gratchev Chapter 10: Surviving the Hollywood Blacklist: Waldo Salt's adaptation of Don Quixote by William Childers Chapter 11: Crouching Squire, Hidden Madman: Ah Gan's Don Quixote and Postmodern China by Bruce Burningham Chapter 12: Amélie as Re-accentuation of Cervantes by Jonathan Wade Chapter 13: Extracting the Essence of Don Quixote for a Puppet film by Steven Ritz-Barr Part V: Theater and Television Chapter 14: The Spanish Knight Among the Soviet People: Dramatic Re-accentuations of Don Quixote as a Doomed Performer by Margarita Marinova & Scott Pollard Chapter 15: A Russian Lancelot and His Don Quixote by Victor Fet Part VI: Don Quixote in The New World Chapter 16: The Visionary's Quixote by Roy H. Williams Bibliography Index About the Editors
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