This new imprint is established to publish in paperback for an individual readership the Press's most outstanding original monographs. The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs in the humanities and social sciences, and therefore represents some of the best current scholarship in the English language.
This new imprint is established to publish in paperback for an individual readership the Press's most outstanding original monographs. The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs in the humanities and social sciences, and therefore represents some of the best current scholarship in the English language.
Part I: 1. 1797-1821: The beginnings 2. 1822-1830: Zoraida di Granata to Imelda de' Lambertazzi 3. 1830-1835: Anna Bolena to Marin Faliero 4. 1835-1838: Lucia di Lammermoor to Poliuto 5. 1838-1843: Les martyrs to Dom Sébastien 6. 1843-1848: The last years Part II: 7. Donizetti's operatic world 8. Donizetti's use of operatic conventions 9. The operas: 1816-1830 10. The operas: 1830-1835 11. The operas: 1835-1838 12. The operas: 1838-1841 13. The operas: 1842-1843 Appendices Notes Bibliography Index.
Part I: 1. 1797-1821: The beginnings 2. 1822-1830: Zoraida di Granata to Imelda de' Lambertazzi 3. 1830-1835: Anna Bolena to Marin Faliero 4. 1835-1838: Lucia di Lammermoor to Poliuto 5. 1838-1843: Les martyrs to Dom Sébastien 6. 1843-1848: The last years Part II: 7. Donizetti's operatic world 8. Donizetti's use of operatic conventions 9. The operas: 1816-1830 10. The operas: 1830-1835 11. The operas: 1835-1838 12. The operas: 1838-1841 13. The operas: 1842-1843 Appendices Notes Bibliography Index.
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