Carol Quirke
Dorothea Lange, Documentary Photography, and Twentieth-Century America
Reinventing Self and Nation
Carol Quirke
Dorothea Lange, Documentary Photography, and Twentieth-Century America
Reinventing Self and Nation
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Dorothea Lange, Documentary Photography, and 20th Century America charts the life of Dorothea Lange (1895-1965) whose life was radically altered by the Depression, and whose photography helped transform the nation.
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Dorothea Lange, Documentary Photography, and 20th Century America charts the life of Dorothea Lange (1895-1965) whose life was radically altered by the Depression, and whose photography helped transform the nation.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 230
- Erscheinungstermin: 1. März 2019
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 567g
- ISBN-13: 9781138394353
- ISBN-10: 1138394351
- Artikelnr.: 55764443
- Verlag: Routledge
- Seitenzahl: 230
- Erscheinungstermin: 1. März 2019
- Englisch
- Abmessung: 231mm x 155mm x 18mm
- Gewicht: 567g
- ISBN-13: 9781138394353
- ISBN-10: 1138394351
- Artikelnr.: 55764443
Carol Quirke is a professor of American Studies at the State University of New York, Old Westbury, USA. She teaches women's history, U.S. history, and visual culture. Her previous book Eyes on Labor: News Photography and America's Working Class (2012) examines the political stakes of news photography for organized labor in America's midcentury. Her essays appear in American Quarterly, Radical History Review, History Today, and Reviews in American History.
List of figures
Series Editor Introduction
Acknowledgements
Introduction
Chapter One: Dorothea Lange and Turn-of-the-Century America
1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman
Finding Herself
1912-1918 Chapter Three: Love and Work: Tangled Negotiations
1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus
1929-1934 Chapter Five: "Words Would Not Be Enough
" 1934-1935 Chapter Six: "These Things Are a Pressin' on Us:" Dorothea Lange as Government Photographer
1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles
1935-1939 Chapter Eight: "Moving About People" and the Great Plains
1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression
1935-1940 Chapter Ten: "Woman Can Change Better'n a Man:" Women in the Great Depression
1929-1940 Chapter Eleven: "This is What We Did
How Did it Happen
How Could We?" Democracy Under Assault
1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision
1945-1965 Primary Documents: Reading Photography in the Archives
Study Questions
Bibliography
Index
Series Editor Introduction
Acknowledgements
Introduction
Chapter One: Dorothea Lange and Turn-of-the-Century America
1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman
Finding Herself
1912-1918 Chapter Three: Love and Work: Tangled Negotiations
1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus
1929-1934 Chapter Five: "Words Would Not Be Enough
" 1934-1935 Chapter Six: "These Things Are a Pressin' on Us:" Dorothea Lange as Government Photographer
1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles
1935-1939 Chapter Eight: "Moving About People" and the Great Plains
1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression
1935-1940 Chapter Ten: "Woman Can Change Better'n a Man:" Women in the Great Depression
1929-1940 Chapter Eleven: "This is What We Did
How Did it Happen
How Could We?" Democracy Under Assault
1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision
1945-1965 Primary Documents: Reading Photography in the Archives
Study Questions
Bibliography
Index
List of figures
Series Editor Introduction
Acknowledgements
Introduction
Chapter One: Dorothea Lange and Turn-of-the-Century America
1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman
Finding Herself
1912-1918 Chapter Three: Love and Work: Tangled Negotiations
1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus
1929-1934 Chapter Five: "Words Would Not Be Enough
" 1934-1935 Chapter Six: "These Things Are a Pressin' on Us:" Dorothea Lange as Government Photographer
1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles
1935-1939 Chapter Eight: "Moving About People" and the Great Plains
1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression
1935-1940 Chapter Ten: "Woman Can Change Better'n a Man:" Women in the Great Depression
1929-1940 Chapter Eleven: "This is What We Did
How Did it Happen
How Could We?" Democracy Under Assault
1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision
1945-1965 Primary Documents: Reading Photography in the Archives
Study Questions
Bibliography
Index
Series Editor Introduction
Acknowledgements
Introduction
Chapter One: Dorothea Lange and Turn-of-the-Century America
1895-1912 Chapter Two: "I Knew It Was Dangerous to Have Something to Fall Back On": Finding the New Woman
Finding Herself
1912-1918 Chapter Three: Love and Work: Tangled Negotiations
1918-1929 Chapter Four: "To Grab A Hunk of Lightning:" A Radical Change of Focus
1929-1934 Chapter Five: "Words Would Not Be Enough
" 1934-1935 Chapter Six: "These Things Are a Pressin' on Us:" Dorothea Lange as Government Photographer
1935-1936 Chapter Seven: "The Sorriest Place in this Country:" Dorothea Lange and Southern Struggles
1935-1939 Chapter Eight: "Moving About People" and the Great Plains
1935-1940 Chapter Nine: "In the Ditches at the End of Beauty": California in the Depression
1935-1940 Chapter Ten: "Woman Can Change Better'n a Man:" Women in the Great Depression
1929-1940 Chapter Eleven: "This is What We Did
How Did it Happen
How Could We?" Democracy Under Assault
1940-1945 Conclusion: "The Last Ditch:" Dorothea Lange and the Persistence of Vision
1945-1965 Primary Documents: Reading Photography in the Archives
Study Questions
Bibliography
Index