Doubles and Hybrids in Latin American Gothic

Herausgeber: Alcalá González, Antonio; Marie Bussing López, Ilse

• Gebundenes Buch

Produktbeschreibung

Doubles and Hybrids in Latin American Gothic focuses on a recurrent motif that is fundamental in the Gothic-the double.

Produktdetails

• Verlag: Jenny Stanford Publishing
• Seitenzahl: 232
• Erscheinungstermin: 30. September 2019
• Englisch
• Abmessung: 239mm x 160mm x 20mm
• Gewicht: 794g
• ISBN-13: 9780367406332
• ISBN-10: 0367406330
• Artikelnr.: 58059357

Autorenporträt

Antonio Alcalá is a Chair of the Humanities Department and Literature Professor at Tecnológico de Monterrey, Mexico City. Ilse Marie Bussing López is a Professor of English Literature and a Professor in Gothic Literature in the Master's in Literature at the University of Costa Rica.

Inhaltsangabe

Foreword
Introduction: Doubles and Other Transmutations in Latin American Gothic
Section 1: Doubling the Self
Chapter 1. Ghostly Mirrors in Pedro Páramo: Rhetorical Figures Evidencing
the Double
Chapter 2. Scalding Drops on a Naked Eye: The Motif of the Double in
Seeing Red by Lina Meruane
Chapter 3. Knocking at the door of your prison house of history: Carlos
Fuentes Aura and Angela Carter's 'Lady in the House of Love
Chapter 4. Monstrous/Wondrous Transformations of The Female Body: Daniela
Tarazona's El animal sobre la piedra and The Gothic
Chapter 5. Carlos Fuentes's The Queen Doll and The Transgressive Presence
of The Past
Section 2: Animals as Doubles
Chapter 6. Maize, Coyotes and Fireflies: Transformation and Nagualism in
Hombres de Maíz
Chapter 7. Mirrors and Shapeshifters: The Double in Gastão Cruls and Murilo
Rubião
Chapter 8. Gothic Tradition and Social Divide in Alejo Carpentier's The
Kingdom of this World
Section 3. Doubles and Spaces
Chapter 9. Uncanny Aztec Revenants in Mexican Fiction
Chapter 10. From Sierva María to María Mandinga: A Possible Female Gothic
Transmutation in García Márquez's Del amor y otros demonios
Chapter 11. Doubles, Spectres, and Community Trauma: Collapse, Repetition,
and Horror in the Mexican Earthquakes of 9/19
Section 4. The Double in Film
Chapter 12. Civilization and Barbarism: Argentina and the Monster Within in
Horror Films
Chapter 13. Reinventing the Hybrid: Del Toro's Cronos as All-Too-Human
Gothic Horror
Contributors
Index