A study of the print publication of early modern English poetry books that shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself.
A study of the print publication of early modern English poetry books that shows how publishers negotiated genre, gender, social access, reputation, literary knowledge, and the value of English literature itself.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Erin A. McCarthy is Lecturer in Digital Humanities at the University of Newcastle, Australia. Her research interests include sixteenth- and seventeenth-century literature, material texts, the history of reading, and women's writing. Previously, she was a postdoctoral researcher on the European Research Council-funded project 'RECIRC: The Reception and Circulation of Early Modern Women's Writing, 1550-1700' at the National University of Ireland, Galway. This research will be the basis of a monograph jointly authored with Marie-Louise Coolahan and Sajed Chowdhury.
Inhaltsangabe
* Introduction. The Early Modern Poetry Book as an Expressive Form * 1: Reading Printed Poetry in Early Modern England * 2: Typography, Genre, and Authorship in The Passionate Pilgrim (1599) and Shake-speares Sonnets (1609) * 3: Selling the Illusion of Access: Readers and Multiple Dedications in Salve Deus Rex Judaeorum (1611) * 4: Poems, by J.D. (1633 and 1635), the O'Flahertie Manuscript, and the Many Careers of John Donne * 5: 'Nor is the Printing of such Miscellanies . . . unpresidented': Poetic Authorship after Poems, by J.D. (1635) * Conclusion. 'an ambition to be in print'
* Introduction. The Early Modern Poetry Book as an Expressive Form * 1: Reading Printed Poetry in Early Modern England * 2: Typography, Genre, and Authorship in The Passionate Pilgrim (1599) and Shake-speares Sonnets (1609) * 3: Selling the Illusion of Access: Readers and Multiple Dedications in Salve Deus Rex Judaeorum (1611) * 4: Poems, by J.D. (1633 and 1635), the O'Flahertie Manuscript, and the Many Careers of John Donne * 5: 'Nor is the Printing of such Miscellanies . . . unpresidented': Poetic Authorship after Poems, by J.D. (1635) * Conclusion. 'an ambition to be in print'
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