Drag in the Global Digital Public Sphere
Queer Visibility, Online Discourse and Political Change
Herausgeber: Brennan, Niall; Gudelunas, David
Drag in the Global Digital Public Sphere
Queer Visibility, Online Discourse and Political Change
Herausgeber: Brennan, Niall; Gudelunas, David
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This volume explores drag in global online spaces as a distinct departure from the established success, and limitations, of RuPaulâ s Drag Race and addresses how these discourses have moved beyond the increasingly limited qualities of the television series to reconfigure the parameters of drag in emerging communities and spaces.
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This volume explores drag in global online spaces as a distinct departure from the established success, and limitations, of RuPaulâ s Drag Race and addresses how these discourses have moved beyond the increasingly limited qualities of the television series to reconfigure the parameters of drag in emerging communities and spaces.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Research in Cultural and Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 258
- Erscheinungstermin: 26. August 2024
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 396g
- ISBN-13: 9781032204376
- ISBN-10: 1032204370
- Artikelnr.: 71234912
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Routledge Research in Cultural and Media Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 258
- Erscheinungstermin: 26. August 2024
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 396g
- ISBN-13: 9781032204376
- ISBN-10: 1032204370
- Artikelnr.: 71234912
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Niall Brennan is Associate Professor of Communication at Fairfield University, USA, where he teaches and researches on gender and sexuality, popular culture, visual culture and consumer culture in the media. David Gudelunas is Dean of the College of Arts and Letters at The University of Tampa, USA, where he also serves as a professor of communication.
Part I: Introduction; 1. Post-RuPaul's Drag Race: Queer Visibility, Online
Discourse and Political Change in a Global Digital Sphere; Part II: Drag
Visibility and Politics in Global Online Space; 2. Post-Drag Race,
Post-Trans, Post-Pandemic Contestants: Affecting Political Realness in
Social Media and (in Return to) Reality Television Space; 3. "Boys Wear
Blue, Girls Wear Pink": Drag Queens, Fake News and Gender Controversies in
a Conservative Brazil; 4. Pabllo Vittar, the New Drag Sensation and
Embodiment of Resistance in Digital Media Space; Part III: Drag
Influencers, Advertising and Labor; 5. All those Glamazons We Subscribe To:
Mapping a Network of Key Influencers Spreading the Art of Drag on YouTube;
6. Drag Dollars: Making Room for Queens in Advertising; 7. It's a Drag: The
Televisual Exploitation of Labor in RuPaul's Drag Race; 8. Werq the
YouTube: Changing Collective Practices in the Brazilian Drag Scene; Part
IV: Drag Remix, Translation and Online Fandom; 9. Giving Face (Shields):
The Recirculation and Rearticulation of Drag Race in a Global Pandemic; 10.
Reading is Fundamental: Ru-Capturing Narrative and Drag Race Herstory
Through Remixed Episodes, Fan Dialogue and Hypercamp Culture; 11. Do You
Speak Drag? An Analysis of RuPaul's Drag Race Jargon Translated and
Subtitled by Brazilian Fans; Part V: Drag by Global Extension(s); 12. The
Exploration of Liminal Identities through Drag in Online Space; 13. Mr Gay
Namibia: Publicity Maven, Social-Justice Defender and Former Altar Boy; 14.
The Shumang Lila Performers of Manipur and the Pursuit of the Perfect
Discourse and Political Change in a Global Digital Sphere; Part II: Drag
Visibility and Politics in Global Online Space; 2. Post-Drag Race,
Post-Trans, Post-Pandemic Contestants: Affecting Political Realness in
Social Media and (in Return to) Reality Television Space; 3. "Boys Wear
Blue, Girls Wear Pink": Drag Queens, Fake News and Gender Controversies in
a Conservative Brazil; 4. Pabllo Vittar, the New Drag Sensation and
Embodiment of Resistance in Digital Media Space; Part III: Drag
Influencers, Advertising and Labor; 5. All those Glamazons We Subscribe To:
Mapping a Network of Key Influencers Spreading the Art of Drag on YouTube;
6. Drag Dollars: Making Room for Queens in Advertising; 7. It's a Drag: The
Televisual Exploitation of Labor in RuPaul's Drag Race; 8. Werq the
YouTube: Changing Collective Practices in the Brazilian Drag Scene; Part
IV: Drag Remix, Translation and Online Fandom; 9. Giving Face (Shields):
The Recirculation and Rearticulation of Drag Race in a Global Pandemic; 10.
Reading is Fundamental: Ru-Capturing Narrative and Drag Race Herstory
Through Remixed Episodes, Fan Dialogue and Hypercamp Culture; 11. Do You
Speak Drag? An Analysis of RuPaul's Drag Race Jargon Translated and
Subtitled by Brazilian Fans; Part V: Drag by Global Extension(s); 12. The
Exploration of Liminal Identities through Drag in Online Space; 13. Mr Gay
Namibia: Publicity Maven, Social-Justice Defender and Former Altar Boy; 14.
The Shumang Lila Performers of Manipur and the Pursuit of the Perfect
Part I: Introduction; 1. Post-RuPaul's Drag Race: Queer Visibility, Online
Discourse and Political Change in a Global Digital Sphere; Part II: Drag
Visibility and Politics in Global Online Space; 2. Post-Drag Race,
Post-Trans, Post-Pandemic Contestants: Affecting Political Realness in
Social Media and (in Return to) Reality Television Space; 3. "Boys Wear
Blue, Girls Wear Pink": Drag Queens, Fake News and Gender Controversies in
a Conservative Brazil; 4. Pabllo Vittar, the New Drag Sensation and
Embodiment of Resistance in Digital Media Space; Part III: Drag
Influencers, Advertising and Labor; 5. All those Glamazons We Subscribe To:
Mapping a Network of Key Influencers Spreading the Art of Drag on YouTube;
6. Drag Dollars: Making Room for Queens in Advertising; 7. It's a Drag: The
Televisual Exploitation of Labor in RuPaul's Drag Race; 8. Werq the
YouTube: Changing Collective Practices in the Brazilian Drag Scene; Part
IV: Drag Remix, Translation and Online Fandom; 9. Giving Face (Shields):
The Recirculation and Rearticulation of Drag Race in a Global Pandemic; 10.
Reading is Fundamental: Ru-Capturing Narrative and Drag Race Herstory
Through Remixed Episodes, Fan Dialogue and Hypercamp Culture; 11. Do You
Speak Drag? An Analysis of RuPaul's Drag Race Jargon Translated and
Subtitled by Brazilian Fans; Part V: Drag by Global Extension(s); 12. The
Exploration of Liminal Identities through Drag in Online Space; 13. Mr Gay
Namibia: Publicity Maven, Social-Justice Defender and Former Altar Boy; 14.
The Shumang Lila Performers of Manipur and the Pursuit of the Perfect
Discourse and Political Change in a Global Digital Sphere; Part II: Drag
Visibility and Politics in Global Online Space; 2. Post-Drag Race,
Post-Trans, Post-Pandemic Contestants: Affecting Political Realness in
Social Media and (in Return to) Reality Television Space; 3. "Boys Wear
Blue, Girls Wear Pink": Drag Queens, Fake News and Gender Controversies in
a Conservative Brazil; 4. Pabllo Vittar, the New Drag Sensation and
Embodiment of Resistance in Digital Media Space; Part III: Drag
Influencers, Advertising and Labor; 5. All those Glamazons We Subscribe To:
Mapping a Network of Key Influencers Spreading the Art of Drag on YouTube;
6. Drag Dollars: Making Room for Queens in Advertising; 7. It's a Drag: The
Televisual Exploitation of Labor in RuPaul's Drag Race; 8. Werq the
YouTube: Changing Collective Practices in the Brazilian Drag Scene; Part
IV: Drag Remix, Translation and Online Fandom; 9. Giving Face (Shields):
The Recirculation and Rearticulation of Drag Race in a Global Pandemic; 10.
Reading is Fundamental: Ru-Capturing Narrative and Drag Race Herstory
Through Remixed Episodes, Fan Dialogue and Hypercamp Culture; 11. Do You
Speak Drag? An Analysis of RuPaul's Drag Race Jargon Translated and
Subtitled by Brazilian Fans; Part V: Drag by Global Extension(s); 12. The
Exploration of Liminal Identities through Drag in Online Space; 13. Mr Gay
Namibia: Publicity Maven, Social-Justice Defender and Former Altar Boy; 14.
The Shumang Lila Performers of Manipur and the Pursuit of the Perfect