Drama at the Courts of Queen Henrietta Maria seeks to challenge the popular view of Henrietta Maria as a frivolous, meddlesome woman whose militant catholicism and love of theatre helped to provoke England towards civil war. Unlike other studies, it takes into consideration the queens nationality, discussing her actions in England in the light of her upbringing at the French court. It locates her within a network of family and friends throughout Europe, and demonstrates how these associations were reflected both in her political allegiances and in her cultural patronage.
Drama at the Courts of Queen Henrietta Maria seeks to challenge the popular view of Henrietta Maria as a frivolous, meddlesome woman whose militant catholicism and love of theatre helped to provoke England towards civil war. Unlike other studies, it takes into consideration the queens nationality, discussing her actions in England in the light of her upbringing at the French court. It locates her within a network of family and friends throughout Europe, and demonstrates how these associations were reflected both in her political allegiances and in her cultural patronage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Karen Britland is a lecturer in Renaissance literature at Keele University. On the basis of the interdisciplinary and bilingual nature of her work, she has been chosen by Gary Taylor as one of the six most exciting scholars working in the field of Renaissance drama. She is also an associate editor on The Cambridge Edition of the Works of Ben Jonson.
Inhaltsangabe
Introduction 1. Sex and dancing: Henrietta Maria's wedding ballets 2. Artenice: a new French fashion at the English court 3. Foreign bodies: conflict and co-operation in the early masques 4. Family affairs: Henrietta Maria and continental politics in 1631 5. Tempe Restored: exile/dispossession/restitution 6. 'It is my voyce': the fashioning of a self in The Shepherds' Paradise 7. 'Fate hath made thy reign her choice': The Temple of Love (1635) 8. Florimène: the author and the occasion 9. Marie de Médicis and the last masques 10. 'Tyer'd, in her Banish'd dress': Henrietta Maria in exile Epilogue Appendix: an early entertainment by Aurelian Townshend.
Introduction 1. Sex and dancing: Henrietta Maria's wedding ballets 2. Artenice: a new French fashion at the English court 3. Foreign bodies: conflict and co-operation in the early masques 4. Family affairs: Henrietta Maria and continental politics in 1631 5. Tempe Restored: exile/dispossession/restitution 6. 'It is my voyce': the fashioning of a self in The Shepherds' Paradise 7. 'Fate hath made thy reign her choice': The Temple of Love (1635) 8. Florimène: the author and the occasion 9. Marie de Médicis and the last masques 10. 'Tyer'd, in her Banish'd dress': Henrietta Maria in exile Epilogue Appendix: an early entertainment by Aurelian Townshend.
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