Drama in the Music of Franz Schubert
Herausgeber: Davies, Joe; Sobaskie, James William
Drama in the Music of Franz Schubert
Herausgeber: Davies, Joe; Sobaskie, James William
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama.
Andere Kunden interessierten sich auch für
- Brahms and the Shaping of Time126,99 €
- David B KnightLandscapes in Music160,99 €
- Pierre BernacThe Interpretation of French Song24,99 €
- William SandysThe History of the Violin41,99 €
- Revisiting the Historiography of Postwar Avant-Garde Music198,99 €
- Christopher FifieldThe German Symphony between Beethoven and Brahms198,99 €
- Jerrold LevinsonMusic in the Moment47,99 €
-
-
-
This book challenges the assumption that Franz Schubert (1797-1828), best known for the lyricism of his songs, symphonies and chamber music, lacked comparable talent for drama.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 378
- Erscheinungstermin: 15. Februar 2019
- Englisch
- Abmessung: 244mm x 170mm x 22mm
- Gewicht: 803g
- ISBN-13: 9781783273652
- ISBN-10: 1783273658
- Artikelnr.: 52915619
- Verlag: Boydell & Brewer
- Seitenzahl: 378
- Erscheinungstermin: 15. Februar 2019
- Englisch
- Abmessung: 244mm x 170mm x 22mm
- Gewicht: 803g
- ISBN-13: 9781783273652
- ISBN-10: 1783273658
- Artikelnr.: 52915619
Joe Davies, James William Sobaskie
Preface - and Introduction: Internal Dramas - Laura Tunbridge Opera that
Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne
Bodley Pioneering German Musical Drama: Sung and Spoken Word in Schubert's
Fierabras - Christine Martin The Dramatic Monologue of Schubert's Mass in A
flat major - Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und
Emma', D. 211 - Susan Wollenberg Gretchen abbandonata: The Lied as Aria -
Marjorie Hirsch The Dramatic Strategy Within Two of Schubert's Serenades -
'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive
McClelland Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus',
D. 583 - Susan Youens 'Zumsteeg Ballads without Words': Inter-Generic
Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The
Impromptu in C Minor, D. 899/1 - Brian Black Music as Poetry: An Analysis
of the first movement of Schubert's Piano Sonata in A major, D. 959 -
Xavier Hascher Virtual Protagonist and Musical Narration in the Slow
Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental
Works - Select Bibliography
Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne
Bodley Pioneering German Musical Drama: Sung and Spoken Word in Schubert's
Fierabras - Christine Martin The Dramatic Monologue of Schubert's Mass in A
flat major - Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und
Emma', D. 211 - Susan Wollenberg Gretchen abbandonata: The Lied as Aria -
Marjorie Hirsch The Dramatic Strategy Within Two of Schubert's Serenades -
'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive
McClelland Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus',
D. 583 - Susan Youens 'Zumsteeg Ballads without Words': Inter-Generic
Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The
Impromptu in C Minor, D. 899/1 - Brian Black Music as Poetry: An Analysis
of the first movement of Schubert's Piano Sonata in A major, D. 959 -
Xavier Hascher Virtual Protagonist and Musical Narration in the Slow
Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental
Works - Select Bibliography
Preface - and Introduction: Internal Dramas - Laura Tunbridge Opera that
Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne
Bodley Pioneering German Musical Drama: Sung and Spoken Word in Schubert's
Fierabras - Christine Martin The Dramatic Monologue of Schubert's Mass in A
flat major - Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und
Emma', D. 211 - Susan Wollenberg Gretchen abbandonata: The Lied as Aria -
Marjorie Hirsch The Dramatic Strategy Within Two of Schubert's Serenades -
'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive
McClelland Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus',
D. 583 - Susan Youens 'Zumsteeg Ballads without Words': Inter-Generic
Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The
Impromptu in C Minor, D. 899/1 - Brian Black Music as Poetry: An Analysis
of the first movement of Schubert's Piano Sonata in A major, D. 959 -
Xavier Hascher Virtual Protagonist and Musical Narration in the Slow
Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental
Works - Select Bibliography
Vanished: Goethe, Schubert and Claudine von Villa Bella - Lorraine Byrne
Bodley Pioneering German Musical Drama: Sung and Spoken Word in Schubert's
Fierabras - Christine Martin The Dramatic Monologue of Schubert's Mass in A
flat major - Schubert's Dramatic Lieder: Rehabilitating 'Adelwold und
Emma', D. 211 - Susan Wollenberg Gretchen abbandonata: The Lied as Aria -
Marjorie Hirsch The Dramatic Strategy Within Two of Schubert's Serenades -
'Durch Nacht und Wind': Tempesta as a topic in Schubert's Lieder - Clive
McClelland Reentering Mozart's Hell: Schubert's 'Gruppe aus dem Tartarus',
D. 583 - Susan Youens 'Zumsteeg Ballads without Words': Inter-Generic
Dialogue and Schubert's Projection of Drama through Form - Anne Hyland
Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The
Impromptu in C Minor, D. 899/1 - Brian Black Music as Poetry: An Analysis
of the first movement of Schubert's Piano Sonata in A major, D. 959 -
Xavier Hascher Virtual Protagonist and Musical Narration in the Slow
Movements of Schubert's Piano Sonatas D. 958 and D. 960 - Lauri Suurpaa
Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental
Works - Select Bibliography