Katharine Rose Hanley
Dramatic Approaches to Creative Fidelity
A Study in the Theater and Philosophy of Gabriel Marcel (1889-1973)
Katharine Rose Hanley
Dramatic Approaches to Creative Fidelity
A Study in the Theater and Philosophy of Gabriel Marcel (1889-1973)
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This book is a unique study of the work of Gabriel Marcel, a twentieth-century philosopher of international renown. This book brings a fresh perspective to the examination of Marcel's thought, highlighting facets of interest to many different audiences and presenting a clear exposition of the nature of creative fidelity.
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This book is a unique study of the work of Gabriel Marcel, a twentieth-century philosopher of international renown. This book brings a fresh perspective to the examination of Marcel's thought, highlighting facets of interest to many different audiences and presenting a clear exposition of the nature of creative fidelity.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University Press of America
- Seitenzahl: 252
- Erscheinungstermin: 16. Dezember 2010
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 415g
- ISBN-13: 9780761853671
- ISBN-10: 0761853677
- Artikelnr.: 31995053
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: University Press of America
- Seitenzahl: 252
- Erscheinungstermin: 16. Dezember 2010
- Englisch
- Abmessung: 229mm x 152mm x 15mm
- Gewicht: 415g
- ISBN-13: 9780761853671
- ISBN-10: 0761853677
- Artikelnr.: 31995053
- Herstellerkennzeichnung
- Produktsicherheitsverantwortliche/r
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Katharine Rose Hanley holds a Ph.D. from the Higher Institute of Philosophy, Louvain University, Belgium, where she first met Gabriel Marcel in 1955. She has been a professor of philosophy at Le Moyne College since 1961. In 1975, she became the director of the Gabriel Marcel Institute of Existential Drama at Le Moyne. Hanley has authored books and numerous articles on metaphysical topics and on aspects of Marcel's thought. She has lectured to national and international audiences, such as the International Gabriel Marcel Society in Paris and the Société francaise de Philosophie at the Sorbonne. For several years, Hanley has been involved in translating and editing some of Marcel's thirty plays for English-speaking audiences and in producing some of these plays for stage and television.
Part 1 Introduction by Paul Ricoeur Part 2 Foreword Part 3 Part One:
Gabriel Marcel: Philosopher-Dramatist-Musician Chapter 4 Chapter I.
Introduction to Gabriel Marcel's Philosophic Quest Part 5 Part Two:
Dramatic Approaches to Creative Philosophy Chapter 6 Chapter II. The
Unfathomable: A Search for Presence Chapter 7 Chapter III. The Lantern: and
The Light of Truth Chapter 8 Chapter IV. Dot the I: An Existential Witness
of the Light of Truth Chapter 9 Chapter V Rebellious Heart: and Human
Creativity Chapter 10 Chapter VI. The Double Expertise: Fidelity and
Infidelity Chapter 11 Chapter VII. Colombyre or the Torch of Peace: The
Role of Person-Community in Living Creative Fidelity to Values Chapter 12
Chapter VIII. The Sting: Threatening the Foundations of Fidelity Chapter 13
Chapter IX. Rome Is No Longer in Rome: Challenge for Creative Incarnations
of Fidelity Chapter 14 Chapter X. Conclusion: Creative Fidelity, Sketch of
the Essential Features Highlighted Part 15 Part Three: Resources for
Research Chapter 16 I. Biblio-biography Chapter 17 II. Parallel of Theater
and Philosophy Chapter 18 III. Works by Gabriel Marcel in chronological
order of composition Chapter 19 IV. Bibliographic References Chapter 20 V.
Partial List of Plays Produced Chapter 21 VI. Centers of Research Part 22
Index
Gabriel Marcel: Philosopher-Dramatist-Musician Chapter 4 Chapter I.
Introduction to Gabriel Marcel's Philosophic Quest Part 5 Part Two:
Dramatic Approaches to Creative Philosophy Chapter 6 Chapter II. The
Unfathomable: A Search for Presence Chapter 7 Chapter III. The Lantern: and
The Light of Truth Chapter 8 Chapter IV. Dot the I: An Existential Witness
of the Light of Truth Chapter 9 Chapter V Rebellious Heart: and Human
Creativity Chapter 10 Chapter VI. The Double Expertise: Fidelity and
Infidelity Chapter 11 Chapter VII. Colombyre or the Torch of Peace: The
Role of Person-Community in Living Creative Fidelity to Values Chapter 12
Chapter VIII. The Sting: Threatening the Foundations of Fidelity Chapter 13
Chapter IX. Rome Is No Longer in Rome: Challenge for Creative Incarnations
of Fidelity Chapter 14 Chapter X. Conclusion: Creative Fidelity, Sketch of
the Essential Features Highlighted Part 15 Part Three: Resources for
Research Chapter 16 I. Biblio-biography Chapter 17 II. Parallel of Theater
and Philosophy Chapter 18 III. Works by Gabriel Marcel in chronological
order of composition Chapter 19 IV. Bibliographic References Chapter 20 V.
Partial List of Plays Produced Chapter 21 VI. Centers of Research Part 22
Index
Part 1 Introduction by Paul Ricoeur Part 2 Foreword Part 3 Part One:
Gabriel Marcel: Philosopher-Dramatist-Musician Chapter 4 Chapter I.
Introduction to Gabriel Marcel's Philosophic Quest Part 5 Part Two:
Dramatic Approaches to Creative Philosophy Chapter 6 Chapter II. The
Unfathomable: A Search for Presence Chapter 7 Chapter III. The Lantern: and
The Light of Truth Chapter 8 Chapter IV. Dot the I: An Existential Witness
of the Light of Truth Chapter 9 Chapter V Rebellious Heart: and Human
Creativity Chapter 10 Chapter VI. The Double Expertise: Fidelity and
Infidelity Chapter 11 Chapter VII. Colombyre or the Torch of Peace: The
Role of Person-Community in Living Creative Fidelity to Values Chapter 12
Chapter VIII. The Sting: Threatening the Foundations of Fidelity Chapter 13
Chapter IX. Rome Is No Longer in Rome: Challenge for Creative Incarnations
of Fidelity Chapter 14 Chapter X. Conclusion: Creative Fidelity, Sketch of
the Essential Features Highlighted Part 15 Part Three: Resources for
Research Chapter 16 I. Biblio-biography Chapter 17 II. Parallel of Theater
and Philosophy Chapter 18 III. Works by Gabriel Marcel in chronological
order of composition Chapter 19 IV. Bibliographic References Chapter 20 V.
Partial List of Plays Produced Chapter 21 VI. Centers of Research Part 22
Index
Gabriel Marcel: Philosopher-Dramatist-Musician Chapter 4 Chapter I.
Introduction to Gabriel Marcel's Philosophic Quest Part 5 Part Two:
Dramatic Approaches to Creative Philosophy Chapter 6 Chapter II. The
Unfathomable: A Search for Presence Chapter 7 Chapter III. The Lantern: and
The Light of Truth Chapter 8 Chapter IV. Dot the I: An Existential Witness
of the Light of Truth Chapter 9 Chapter V Rebellious Heart: and Human
Creativity Chapter 10 Chapter VI. The Double Expertise: Fidelity and
Infidelity Chapter 11 Chapter VII. Colombyre or the Torch of Peace: The
Role of Person-Community in Living Creative Fidelity to Values Chapter 12
Chapter VIII. The Sting: Threatening the Foundations of Fidelity Chapter 13
Chapter IX. Rome Is No Longer in Rome: Challenge for Creative Incarnations
of Fidelity Chapter 14 Chapter X. Conclusion: Creative Fidelity, Sketch of
the Essential Features Highlighted Part 15 Part Three: Resources for
Research Chapter 16 I. Biblio-biography Chapter 17 II. Parallel of Theater
and Philosophy Chapter 18 III. Works by Gabriel Marcel in chronological
order of composition Chapter 19 IV. Bibliographic References Chapter 20 V.
Partial List of Plays Produced Chapter 21 VI. Centers of Research Part 22
Index