Cynthia Verba is Director of Fellowships for the Graduate School of Arts and Sciences at Harvard University. She has published articles and reviews in the Cambridge Opera Journal, the Journal of the American Musicological Association, The Journal of Musicology and the Journal of Modern History. While her earlier book, Music and the French Enlightenment: Reconstruction of a Dialogue, 1750-1765, closely examines the arguments in Rameau-centered debates, her current research has shifted focus to Rameau's musical practice, particularly his concept of musical expression and how it manifests itself in his tragedies.
Inhaltsangabe
1. Introduction 2. Rameau's concept of musical expression: in theory and practice 3. Getting oriented: Rameau's First Tragédie, Hippolyte et Aricie (premiere, 1733) 4. Comparative overview of Rameau's tragedies, first versions: continuity and change 5. Scenes of forbidden love confessed 6. Scenes of intense conflict 7. Scenes of conflict resolution Conclusion.
1. Introduction 2. Rameau's concept of musical expression: in theory and practice 3. Getting oriented: Rameau's First Tragédie, Hippolyte et Aricie (premiere, 1733) 4. Comparative overview of Rameau's tragedies, first versions: continuity and change 5. Scenes of forbidden love confessed 6. Scenes of intense conflict 7. Scenes of conflict resolution Conclusion.
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