These new essays explore the ways in which contemporary dramatists have retold or otherwise made use of myths, fairy tales and legends from a variety of cultures, including Greek, West African, North American, Japanese, and various parts of Europe. The dramatists discussed range from well-established playwrights such as Tony Kushner, Caryl Churchill, and Timberlake Wertenbaker to new theatrical stars such as Sarah Ruhl and Tarell Alvin McCraney. The book contributes to the current discussion of adaptation theory by examining the different ways, and for what purposes, plays revise mythic…mehr
These new essays explore the ways in which contemporary dramatists have retold or otherwise made use of myths, fairy tales and legends from a variety of cultures, including Greek, West African, North American, Japanese, and various parts of Europe. The dramatists discussed range from well-established playwrights such as Tony Kushner, Caryl Churchill, and Timberlake Wertenbaker to new theatrical stars such as Sarah Ruhl and Tarell Alvin McCraney. The book contributes to the current discussion of adaptation theory by examining the different ways, and for what purposes, plays revise mythic stories and characters. The essays contribute to studies of literary uses of myth by focusing on how recent dramatists have used myths, fairy tales and legends to address contemporary concerns, especially changing representations of women and the politics of gender relations but also topics such as damage to the environment and political violence.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Verna A. Foster is a professor of English at Loyola University Chicago. She is the author of numerous essays on modern drama. She lives in Chicago.
Inhaltsangabe
Table of Contents Acknowledgments Introduction VERNA A. FOSTER Hellenic Women Revisited: The Aesthetics of Mythic Revision in the Plays of Karen Hartman, Sarah Ruhl and Caridad Svich MIRIAM CHIRICO Greek Tragedy Transformed: A. R. Gurney and Charles Mee Rewrite Greek Drama KARELISA HARTIGAN "That story is not true": Unmaking Myth in Ellen McLaughlin's Helen and Saviana Stanescu and Richard Schechner's YokastaS ELIZABETH W. SCHARFFENBERGER Tina Howe and Demetrian Seriocomedy JEFFREY B. LOOMIS Children of Yemayá and the American Eshu: West African Myth in African-American Theatre KEVIN J. WETMORE, JR. Punctured by Patriarchy: Theatricalizing the Christian Assault upon Native Mythology in Tomson Highway's Dry Lips Oughta Move to Kapuskasing CHRISTY STANLAKE Damaged Myth in Caryl Churchill's The Skriker AMELIA HOWE KRITZER Between Desire and Authority: The "Dybbuk" in Modernist and Postmodern Theatrical Adaptations from S. Ansky to Tony Kushner SHARON FRIEDMAN Martin McDonagh's Fractured Fairy Tales: Representational Horrors in The Pillowman ANTHONY ELLIS Food, Sex and Fairy Tales: Wallace Shawn's Grasses of a Thousand Colors SHEILA RABILLARD Turning Komachi Legends, Gender and Noh Inside Out: Remaking Desire in Timberlake Wertenbaker's Early Play MAYA E. ROTH Romancing "La Corriveau" and Marguerite de Nontron: Anne Hébert's La Cage and L'Île de la demoiselle GREGORY J. REID Bloody Relations of Exchange: Sharon Pollock's Revision of Legend and Feminine Myth in Blood Relations LAURA SNYDER Beth Henley's Abundance: The Cinematic Myth of the Wild West Revised VERNA A. FOSTER About the Contributors Index
Table of Contents Acknowledgments Introduction VERNA A. FOSTER Hellenic Women Revisited: The Aesthetics of Mythic Revision in the Plays of Karen Hartman, Sarah Ruhl and Caridad Svich MIRIAM CHIRICO Greek Tragedy Transformed: A. R. Gurney and Charles Mee Rewrite Greek Drama KARELISA HARTIGAN "That story is not true": Unmaking Myth in Ellen McLaughlin's Helen and Saviana Stanescu and Richard Schechner's YokastaS ELIZABETH W. SCHARFFENBERGER Tina Howe and Demetrian Seriocomedy JEFFREY B. LOOMIS Children of Yemayá and the American Eshu: West African Myth in African-American Theatre KEVIN J. WETMORE, JR. Punctured by Patriarchy: Theatricalizing the Christian Assault upon Native Mythology in Tomson Highway's Dry Lips Oughta Move to Kapuskasing CHRISTY STANLAKE Damaged Myth in Caryl Churchill's The Skriker AMELIA HOWE KRITZER Between Desire and Authority: The "Dybbuk" in Modernist and Postmodern Theatrical Adaptations from S. Ansky to Tony Kushner SHARON FRIEDMAN Martin McDonagh's Fractured Fairy Tales: Representational Horrors in The Pillowman ANTHONY ELLIS Food, Sex and Fairy Tales: Wallace Shawn's Grasses of a Thousand Colors SHEILA RABILLARD Turning Komachi Legends, Gender and Noh Inside Out: Remaking Desire in Timberlake Wertenbaker's Early Play MAYA E. ROTH Romancing "La Corriveau" and Marguerite de Nontron: Anne Hébert's La Cage and L'Île de la demoiselle GREGORY J. REID Bloody Relations of Exchange: Sharon Pollock's Revision of Legend and Feminine Myth in Blood Relations LAURA SNYDER Beth Henley's Abundance: The Cinematic Myth of the Wild West Revised VERNA A. FOSTER About the Contributors Index
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