A thorough study of contemporary dramaturgical practices which draws on many examples from the work of leading theatre practitioners from the UK, Europe and North America. It maps the various ways in which a dramaturg may work in the theatre-making process and provides a theoretical framework to aid the reader in their own practice.
A thorough study of contemporary dramaturgical practices which draws on many examples from the work of leading theatre practitioners from the UK, Europe and North America. It maps the various ways in which a dramaturg may work in the theatre-making process and provides a theoretical framework to aid the reader in their own practice.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Katalin Trencsényi is a London-based dramaturg. She completed her PhD in Philosophy (Aesthetics) at the Eötvös Loránd University, Budapest. As a freelance dramaturg, Katalin has worked with the National Theatre, the Royal Court Theatre, the Courtyard Theatre, Deafinitely Theatre, Corali Dance Company, and Company of Angels amongst others. Katalin co-founded the Dramaturgs' Network with Hanna Slättne in 2001, and has worked on its various committees ever since. From 2010 to 2012 Katalin served as President of the Dramaturgs' Network. Katalin is one of the contributors to the Routledge Companion to Dramaturgy (2014). Her monograph on contemporary dramaturgical practices, Dramaturgy in the Making, is to be published by Bloomsbury in 2015.
Inhaltsangabe
Acknowledgements Foreword: The Roles We Play, by Geoff Proehl Preface PART ONE Institutional Dramaturgy Chapter 1 Institutional Dramaturgy The Beginnings Chapter 2 Methods: Curating Chapter 3 Methods: Dramaturgy and Translation Chapter 4 Methods: New Drama Development PART TWO Production Dramaturgy Chapter 5 Production Dramaturgy A Theoretical Overview Chapter 6 Methods: Product led Production Dramaturgy Chapter 7 Methods: Process led Production Dramaturgy PART THREE Dance Dramaturgy Chapter 8 Dance Poetics The History of Dramaturgical Thinking in Dance Chapter 9 Dance Dramaturgy The Development of the Role Chapter 10 Methods: Dance Dramaturgs at Work Conclusion: Two Things about Dramaturgy Notes Select Bibliography Index
Acknowledgements Foreword: The Roles We Play, by Geoff Proehl Preface PART ONE Institutional Dramaturgy Chapter 1 Institutional Dramaturgy The Beginnings Chapter 2 Methods: Curating Chapter 3 Methods: Dramaturgy and Translation Chapter 4 Methods: New Drama Development PART TWO Production Dramaturgy Chapter 5 Production Dramaturgy A Theoretical Overview Chapter 6 Methods: Product led Production Dramaturgy Chapter 7 Methods: Process led Production Dramaturgy PART THREE Dance Dramaturgy Chapter 8 Dance Poetics The History of Dramaturgical Thinking in Dance Chapter 9 Dance Dramaturgy The Development of the Role Chapter 10 Methods: Dance Dramaturgs at Work Conclusion: Two Things about Dramaturgy Notes Select Bibliography Index
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