Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context.
Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context.
Kasia Lech is Senior Lecturer in Performing Arts at Canterbury Christ Church University. Her research and creative practice explore theatre through practice-based and traditional scholarship and primarily focus on verse, multilingualism, translation, and transnational experience.
Inhaltsangabe
Introduction Chapter 1: Heteroglossia of Verse and Its Dramaturgical Potential Chapter 2: Verse in Translation and Adaptation Chapter 3: (No-longer) Ibsen's "Language of the Gods": Verse and Marginalized Voices Chapter 4: Verse and New Theatre Forms Bibliography
Introduction Chapter 1: Heteroglossia of Verse and Its Dramaturgical Potential Chapter 2: Verse in Translation and Adaptation Chapter 3: (No-longer) Ibsen's "Language of the Gods": Verse and Marginalized Voices Chapter 4: Verse and New Theatre Forms Bibliography
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