This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Eckersall is a professor in performance studies at the Graduate Centre, City University of New York. His research interests include Japanese performance, and dramaturgy and contemporary performance. Recent publications include Okada Toshiki and Japanese Theatre (coedited, 2021), Curating Dramaturgies (coedited, Routledge 2021), and New Media Dramaturgy: Performance, Media, and New-Materialism (coauthored, 2017). He is cofounder and dramaturg of the Melbourne-based performance group Not Yet It's Difficult.
Inhaltsangabe
1. New Dramaturgy and Theory: A Letter to Marianne Van Kerkhoven 2. Placemaking, Placelessness, and Spaces of Disaster Capitalism: Okada Toshiki's Biopolitical Atmosphere as Dramaturgy 3. Slow Dramaturgy and Theatres of Extinction 4. Political Bodies and Ways of Listening: Strangeness and Expanded Dramaturgy in Not Yet It's Difficult and Marrugeku
1. New Dramaturgy and Theory: A Letter to Marianne Van Kerkhoven 2. Placemaking, Placelessness, and Spaces of Disaster Capitalism: Okada Toshiki's Biopolitical Atmosphere as Dramaturgy 3. Slow Dramaturgy and Theatres of Extinction 4. Political Bodies and Ways of Listening: Strangeness and Expanded Dramaturgy in Not Yet It's Difficult and Marrugeku
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