Renowned professor on the subject examines the practice of drawing for illustration through case studies and sketchbooks.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martin Salisbury is Professor of Illustration at the Cambridge School of Art, where he leads the renowned MA Children¿s Book Illustration programme. He has previously chaired the international jury at the Bologna Children¿s Book Fair and been a member of the jury at the Global Illustration Awards in China. His books include Children¿s Picturebooks: The Art of Visual Storytelling (2012), The Illustrated Dust Jacket: 1920¿1970 (2017, Thames & Hudson) and Miroslav Sasek in the Illustrators series (2021, Thames & Hudson).
Inhaltsangabe
Introduction 1. Drawing and Illustration Drawing: what is it? Illustration: what is it? Drawing and Me: Isabelle Arsenault Knowing through drawing: the education of the illustrator Born or `True ?: Edward Ardizzone and Lynton Lamb 2. The Basics Observation: learning to see Tools and materials Line Tone Using line to suggest tone Mark-making and printmaking, Christopher Brown Composition and structure Perspective Drawing and colour, Vyara Boyadijieva People and environments Drawing animals Drawing and photography Tools and materials 3. From observation to Imagination: Making the links Drawing from memory, Yann Kebbi Simon Bartram: Monday Man Bill Bragg: Making the links Sketchbooks/ visual journals John Vernon Lord: The journals Sally Dunne: Sketchbooks and me Alexis Deacon: Drawing, thinking and the psychology of `finished 4. Drawing and applied illustration Editorial/ magazine illustration - David Humphries: Newton s Cradle or `The biggest hum Book Illustration - Evelyn Dunbar - Pablo Auladell: La Feria Anbandonada Character development - Fifi Kuo - Ellie Snowdon - Axel Scheffler: The evolution of a personal visual language Atmosphere and fantasy - Victoria Turnbull - Sheila Robinson Authorial graphic storytelling - Isabel Greenberg - Jon McNaught Advertising and display - Kerry Lemon - Frank Newbould Humour - Paul Slater Reportage and graphic commentary - David Hughes: Covid Diary - Robert Weaver - John Minton: Reportage for advertising Illustration and photography 5. Postscript: A word about Style
Introduction 1. Drawing and Illustration Drawing: what is it? Illustration: what is it? Drawing and Me: Isabelle Arsenault Knowing through drawing: the education of the illustrator Born or `True ?: Edward Ardizzone and Lynton Lamb 2. The Basics Observation: learning to see Tools and materials Line Tone Using line to suggest tone Mark-making and printmaking, Christopher Brown Composition and structure Perspective Drawing and colour, Vyara Boyadijieva People and environments Drawing animals Drawing and photography Tools and materials 3. From observation to Imagination: Making the links Drawing from memory, Yann Kebbi Simon Bartram: Monday Man Bill Bragg: Making the links Sketchbooks/ visual journals John Vernon Lord: The journals Sally Dunne: Sketchbooks and me Alexis Deacon: Drawing, thinking and the psychology of `finished 4. Drawing and applied illustration Editorial/ magazine illustration - David Humphries: Newton s Cradle or `The biggest hum Book Illustration - Evelyn Dunbar - Pablo Auladell: La Feria Anbandonada Character development - Fifi Kuo - Ellie Snowdon - Axel Scheffler: The evolution of a personal visual language Atmosphere and fantasy - Victoria Turnbull - Sheila Robinson Authorial graphic storytelling - Isabel Greenberg - Jon McNaught Advertising and display - Kerry Lemon - Frank Newbould Humour - Paul Slater Reportage and graphic commentary - David Hughes: Covid Diary - Robert Weaver - John Minton: Reportage for advertising Illustration and photography 5. Postscript: A word about Style
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