Ian Simpson's clear systematic approach to all aspects of drawing provides a comprehensive drawing course, ideal for both beginners and for those with considerable experience who want to re-examine the fundamentals.
Ian Simpson's clear systematic approach to all aspects of drawing provides a comprehensive drawing course, ideal for both beginners and for those with considerable experience who want to re-examine the fundamentals.
Ian Simpson studied at Sunderland College of Art and the Royal College of Art, London. He taught at several colleges and universities including Hornsey College of Art, London, and Syracuse University, New York, was head of St Martin's School of Art, London, 1972-88 and a consultant to the Open College of Arts, UK. His paintings have been included in public and private collections in Britain, Sweden and the United States. He wrote many books and articles and presented three series on art for the BBC.
Inhaltsangabe
Foreword Introduction 1. Drawing Techniques and Approaches 2. Assessing and Drawing Two Dimensions - Height and Width 3. Assessing Three Dimensions - Height, Width and Depth 4. The Third Dimension - Rectangles Flat-on 5. Rectilinear Forms from Different Viewpoints 6. Rectangles and Gradients 7. Circles, Cylinders and Cones 8. Observation and Previous Knowledge 9. From Geometric to Natural Forms 10. Forms with no Flat Surfaces 11. Analysis and Selection 12. Perspective and Other Drawing Systems 13. Texture 14. Light, Shadows and Reflections 15. Some Different Approaches to Observation 16. Movement 17. Developing a Personal Language 18. Some Artists on Drawing 19. Summary Select Bibliography Acknowledgements Index
Foreword Introduction 1. Drawing Techniques and Approaches 2. Assessing and Drawing Two Dimensions - Height and Width 3. Assessing Three Dimensions - Height, Width and Depth 4. The Third Dimension - Rectangles Flat-on 5. Rectilinear Forms from Different Viewpoints 6. Rectangles and Gradients 7. Circles, Cylinders and Cones 8. Observation and Previous Knowledge 9. From Geometric to Natural Forms 10. Forms with no Flat Surfaces 11. Analysis and Selection 12. Perspective and Other Drawing Systems 13. Texture 14. Light, Shadows and Reflections 15. Some Different Approaches to Observation 16. Movement 17. Developing a Personal Language 18. Some Artists on Drawing 19. Summary Select Bibliography Acknowledgements Index
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