Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.
Drawing the Curtain examines the ways in which Miguel de Cervantes experiments with theatre and exploits theatricality in his diverse literary creations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: The Poetics of the Imagined Stage Esther Fernández and Adrienne L. Martín Part One: Alternate Theatricalities in Cervantes’s Drama 1. Cervantes and the Simple Stage Bruce R. Burningham 2. Queer Cambalaches in El rufián dichoso John Slater 3. Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufián dichoso Sonia Velázquez 4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel Julia Domínguez 5. Captivating Music, Memory, and Emotions in Los baños de Argel Sherry Velasco 6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana Ana Laguna 7. Revolving Sets: Spatial Revelations in the Entremeses Esther Fernández and Adrienne L. Martín Part Two: Acts of Disclosure in Cervantes’s Prose 8. Coups de théâtre in the Novelas ejemplares B.W. Ife 9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative Catherine Infante 10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant in El curioso impertinente Mercedes Alcalá-Galán 11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity of Fiction in La Galatea Paul Michael Johnson 12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote Eduardo Olid Guerrero 13. Don Quixote and the Performance of Aging Masculinities in Early Modern Spain José R. Cartagena Calderón
Introduction: The Poetics of the Imagined Stage Esther Fernández and Adrienne L. Martín Part One: Alternate Theatricalities in Cervantes’s Drama 1. Cervantes and the Simple Stage Bruce R. Burningham 2. Queer Cambalaches in El rufián dichoso John Slater 3. Of Players and Wagers: The Theatricality of Gambling for Salvation in El rufián dichoso Sonia Velázquez 4. Writing to Rescue from Oblivion: The Phantasms of Captivity in El trato de Argel Julia Domínguez 5. Captivating Music, Memory, and Emotions in Los baños de Argel Sherry Velasco 6. In the Name of Love: Cervantes’s Play on Captivity in La gran sultana Ana Laguna 7. Revolving Sets: Spatial Revelations in the Entremeses Esther Fernández and Adrienne L. Martín Part Two: Acts of Disclosure in Cervantes’s Prose 8. Coups de théâtre in the Novelas ejemplares B.W. Ife 9. Captive Audiences: Performing Captivity in Cervantes’s Prose Narrative Catherine Infante 10. Painting into Theatre: "The Suicide of Lucretia" as a Tableau Vivant in El curioso impertinente Mercedes Alcalá-Galán 11. "Muchas y muy verdaderas señales": The Theatrics of Truth and Sincerity of Fiction in La Galatea Paul Michael Johnson 12. Eavesdropping or Spying? Secret Places and Spaces in Don Quixote Eduardo Olid Guerrero 13. Don Quixote and the Performance of Aging Masculinities in Early Modern Spain José R. Cartagena Calderón
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