To an unprecedented extent, in the wake of the #metoo movement and, some say, due to an exaggerated "cancel culture" that proliferates online, consumers of art--from literature to film to painting--are eager to dismiss the work of immoral artists. But can we ever separate the art from the artist? In Drawing the Line, philosopher Erich Hatala Matthes offers insight into this conundrum by arguing that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Taking both art and morality seriously requires grappling with them together. Recognizing the moral and…mehr
To an unprecedented extent, in the wake of the #metoo movement and, some say, due to an exaggerated "cancel culture" that proliferates online, consumers of art--from literature to film to painting--are eager to dismiss the work of immoral artists. But can we ever separate the art from the artist? In Drawing the Line, philosopher Erich Hatala Matthes offers insight into this conundrum by arguing that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Taking both art and morality seriously requires grappling with them together. Recognizing the moral and aesthetic relationships between art and artist is essential to determining when and where we should draw the line when good artists do bad things.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Erich Hatala Matthes is Associate Professor of Philosophy and Faculty Director of the Frost Center for the Environment at Wellesley College. His teaching and research focus on the ethics, politics, and aesthetics of art, cultural heritage, and the environment. He majored in English and Philosophy at Yale and earned his PhD in Philosophy from the University of California, Berkeley. His work has appeared in Ethics, Philosophical Studies, Oxford Studies in Normative Ethics, Public Affairs Quarterly, Social Theory and Practice, Ergo, Journal of Ethics and Social Philosophy, Analysis, Journal of the American Philosophical Association, Philosophy Compass, The Stanford Encyclopedia of Philosophy and various edited collections. He has also written award-winning popular pieces for Aeon and Apollo Magazine.
Inhaltsangabe
Introduction Chapter 1 - Do Immoral Artists Make Worse Art? Chapter 2 - Is It Wrong to Enjoy the Work of Immoral Artists? Chapter 3 - Should Immoral Artists Be Canceled? Chapter 4 - How Should We Feel about Immoral Artists? Conclusion
Introduction Chapter 1 - Do Immoral Artists Make Worse Art? Chapter 2 - Is It Wrong to Enjoy the Work of Immoral Artists? Chapter 3 - Should Immoral Artists Be Canceled? Chapter 4 - How Should We Feel about Immoral Artists? Conclusion
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