Samir Dayal is a Professor of English and Media Studies at Bentley University in Massachusetts. He is the author of Resisting Modernity: Counternarratives of Nation and Masculinity in Pre-Independence India; a co-editor, with Margueritte Murphy, of Global Babel: Questions of Discourse and Communication in a Time of Globalization; and the editor of the Cultural Studies Series, which includes Julia Kristeva’s Crisis of the European Subject.¿
Samir Dayal is a Professor of English and Media Studies at Bentley University in Massachusetts. He is the author of Resisting Modernity: Counternarratives of Nation and Masculinity in Pre-Independence India; a co-editor, with Margueritte Murphy, of Global Babel: Questions of Discourse and Communication in a Time of Globalization; and the editor of the Cultural Studies Series, which includes Julia Kristeva’s Crisis of the European Subject.¿
Samir Dayal is a Professor of English and Media Studies at Bentley University in Massachusetts. He is the author of Resisting Modernity: Counternarratives of Nation and Masculinity in Pre-Independence India; a co-editor, with Margueritte Murphy, of Global Babel: Questions of Discourse and Communication in a Time of Globalization; and the editor of the Cultural Studies Series, which includes Julia Kristeva’s Crisis of the European Subject.
Inhaltsangabe
Acknowledgments Introduction • Mirror and Lamp I Postcolonial Hindi Cinema: Bad Subjects and Good Citizens 1 The Wish to Belong, the Desire to Desire: The Emergent Citizen and the Hindi “Social” in Raj Kapoor’s Awaara 2 A Bad Son and a Good Enough Mother? The Paradoxical Maternal Romance in Mehboob Khan’s Mother India 3 Sexploitation or Consciousness Raising? The Angry Man, the Avenging Woman, and the Law II Reimagining the Secular State 4 Terrorism or Seduction 5 Patriot Games, Unpatriotic Fantasies III Diasporic Cinema and Fantasy Space: Nonresident Indian Aliens and Alienated Signifiers of Indianness 6 The Powers of the False: Fantasy Spaces for Same-Sex Love? 7 The New Cosmopolitanism and Diasporic Dilemmas: Rehabilitating the “NRI” 8 Poverty Porn and Mediated Fantasy in Danny Boyle’s Slumdog Millionaire Conclusion • Transnational Translations: Mobile Indianness Notes Bibliography Index
Acknowledgments Introduction • Mirror and Lamp I Postcolonial Hindi Cinema: Bad Subjects and Good Citizens 1 The Wish to Belong, the Desire to Desire: The Emergent Citizen and the Hindi “Social” in Raj Kapoor’s Awaara 2 A Bad Son and a Good Enough Mother? The Paradoxical Maternal Romance in Mehboob Khan’s Mother India 3 Sexploitation or Consciousness Raising? The Angry Man, the Avenging Woman, and the Law II Reimagining the Secular State 4 Terrorism or Seduction 5 Patriot Games, Unpatriotic Fantasies III Diasporic Cinema and Fantasy Space: Nonresident Indian Aliens and Alienated Signifiers of Indianness 6 The Powers of the False: Fantasy Spaces for Same-Sex Love? 7 The New Cosmopolitanism and Diasporic Dilemmas: Rehabilitating the “NRI” 8 Poverty Porn and Mediated Fantasy in Danny Boyle’s Slumdog Millionaire Conclusion • Transnational Translations: Mobile Indianness Notes Bibliography Index
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