Why is Germany imagined as the `land of music'? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial questions in innovative and exciting ways.
Why is Germany imagined as the `land of music'? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial questions in innovative and exciting ways.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Spektrum: Publications of the German Studies Association
Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.
Inhaltsangabe
List of Figures and Tables Acknowledgments Introduction Neil Gregor and Thomas Irvine PART I: SPACES AND MOMENTS OF AFFECT Chapter 1. "The German in the Concert Hall": Concertgoing and National Belonging in the Early Twentieth Century Hansjakob Ziemer Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make Rock and Roll the Lingua Franca of Youth Julia Sneeringer Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex, Affect, and Techno at Snax Club in Berlin Luis-Manuel Garcia PART II: THE LOCAL, THE REGIONAL, THE NATIONAL Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras Neil Gregor Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in Bavaria, 1934-38 123 Dana Smith Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater Emily Richmond Pollock PART III: GLOBALIZING MUSICAL GERMANNESS Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan Brooke McCorkle Chapter 8. Hubert Parry, Germany, and the "North" Thomas Irvine PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's 950th "Birthday" and the 50th Anniversary of Bruckner's Death Lap-Kwan Kam Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer's Aide -Mémoire (1983) Martha Sprigge Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika Sean Nye Index
List of Figures and Tables Acknowledgments Introduction Neil Gregor and Thomas Irvine PART I: SPACES AND MOMENTS OF AFFECT Chapter 1. "The German in the Concert Hall": Concertgoing and National Belonging in the Early Twentieth Century Hansjakob Ziemer Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make Rock and Roll the Lingua Franca of Youth Julia Sneeringer Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex, Affect, and Techno at Snax Club in Berlin Luis-Manuel Garcia PART II: THE LOCAL, THE REGIONAL, THE NATIONAL Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras Neil Gregor Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in Bavaria, 1934-38 123 Dana Smith Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater Emily Richmond Pollock PART III: GLOBALIZING MUSICAL GERMANNESS Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan Brooke McCorkle Chapter 8. Hubert Parry, Germany, and the "North" Thomas Irvine PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's 950th "Birthday" and the 50th Anniversary of Bruckner's Death Lap-Kwan Kam Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer's Aide -Mémoire (1983) Martha Sprigge Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika Sean Nye Index
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