Dreams of Germany
Musical Imaginaries from the Concert Hall to the Dance Floor
Herausgeber: Gregor, Neil; Irvine, Thomas
Dreams of Germany
Musical Imaginaries from the Concert Hall to the Dance Floor
Herausgeber: Gregor, Neil; Irvine, Thomas
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Why is Germany imagined as the `land of music'? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial questions in innovative and exciting ways.
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Why is Germany imagined as the `land of music'? How has that image been made over time? Exploring examples that range from Bruckner to the Beatles, from classical song to sex-club dance music, a team of historians and musicologists explores these perennial questions in innovative and exciting ways.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Spektrum: Publications of the German Studies Association
- Verlag: Berghahn Books
- Seitenzahl: 320
- Erscheinungstermin: 17. Dezember 2018
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 560g
- ISBN-13: 9781789200324
- ISBN-10: 1789200326
- Artikelnr.: 52819436
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Spektrum: Publications of the German Studies Association
- Verlag: Berghahn Books
- Seitenzahl: 320
- Erscheinungstermin: 17. Dezember 2018
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 560g
- ISBN-13: 9781789200324
- ISBN-10: 1789200326
- Artikelnr.: 52819436
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.
List of Figures and Tables
Acknowledgments
Introduction
Neil Gregor and Thomas Irvine
PART I: SPACES AND MOMENTS OF AFFECT
Chapter 1. "The German in the Concert Hall": Concertgoing and National
Belonging in the Early Twentieth Century
Hansjakob Ziemer
Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make
Rock and Roll the Lingua Franca of Youth
Julia Sneeringer
Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex,
Affect, and Techno at Snax Club in Berlin
Luis-Manuel Garcia
PART II: THE LOCAL, THE REGIONAL, THE NATIONAL
Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening
between the Imperial and Postwar Eras
Neil Gregor
Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in
Bavaria, 1934-38 123
Dana Smith
Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich
Nationaltheater
Emily Richmond Pollock
PART III: GLOBALIZING MUSICAL GERMANNESS
Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern
Japan
Brooke McCorkle
Chapter 8. Hubert Parry, Germany, and the "North"
Thomas Irvine
PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES
Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's
950th "Birthday" and the 50th Anniversary of Bruckner's Death
Lap-Kwan Kam
Chapter 10. Hearing the Nazi Past in the German Democratic Republic:
Antifascist Fantasies, Acoustic Realities, and Haunted
Memories in Georg Katzer's Aide -Mémoire (1983)
Martha Sprigge
Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic
Music, and Retro Dreams in Amerika
Sean Nye
Index
Acknowledgments
Introduction
Neil Gregor and Thomas Irvine
PART I: SPACES AND MOMENTS OF AFFECT
Chapter 1. "The German in the Concert Hall": Concertgoing and National
Belonging in the Early Twentieth Century
Hansjakob Ziemer
Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make
Rock and Roll the Lingua Franca of Youth
Julia Sneeringer
Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex,
Affect, and Techno at Snax Club in Berlin
Luis-Manuel Garcia
PART II: THE LOCAL, THE REGIONAL, THE NATIONAL
Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening
between the Imperial and Postwar Eras
Neil Gregor
Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in
Bavaria, 1934-38 123
Dana Smith
Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich
Nationaltheater
Emily Richmond Pollock
PART III: GLOBALIZING MUSICAL GERMANNESS
Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern
Japan
Brooke McCorkle
Chapter 8. Hubert Parry, Germany, and the "North"
Thomas Irvine
PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES
Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's
950th "Birthday" and the 50th Anniversary of Bruckner's Death
Lap-Kwan Kam
Chapter 10. Hearing the Nazi Past in the German Democratic Republic:
Antifascist Fantasies, Acoustic Realities, and Haunted
Memories in Georg Katzer's Aide -Mémoire (1983)
Martha Sprigge
Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic
Music, and Retro Dreams in Amerika
Sean Nye
Index
List of Figures and Tables
Acknowledgments
Introduction
Neil Gregor and Thomas Irvine
PART I: SPACES AND MOMENTS OF AFFECT
Chapter 1. "The German in the Concert Hall": Concertgoing and National
Belonging in the Early Twentieth Century
Hansjakob Ziemer
Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make
Rock and Roll the Lingua Franca of Youth
Julia Sneeringer
Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex,
Affect, and Techno at Snax Club in Berlin
Luis-Manuel Garcia
PART II: THE LOCAL, THE REGIONAL, THE NATIONAL
Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening
between the Imperial and Postwar Eras
Neil Gregor
Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in
Bavaria, 1934-38 123
Dana Smith
Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich
Nationaltheater
Emily Richmond Pollock
PART III: GLOBALIZING MUSICAL GERMANNESS
Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern
Japan
Brooke McCorkle
Chapter 8. Hubert Parry, Germany, and the "North"
Thomas Irvine
PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES
Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's
950th "Birthday" and the 50th Anniversary of Bruckner's Death
Lap-Kwan Kam
Chapter 10. Hearing the Nazi Past in the German Democratic Republic:
Antifascist Fantasies, Acoustic Realities, and Haunted
Memories in Georg Katzer's Aide -Mémoire (1983)
Martha Sprigge
Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic
Music, and Retro Dreams in Amerika
Sean Nye
Index
Acknowledgments
Introduction
Neil Gregor and Thomas Irvine
PART I: SPACES AND MOMENTS OF AFFECT
Chapter 1. "The German in the Concert Hall": Concertgoing and National
Belonging in the Early Twentieth Century
Hansjakob Ziemer
Chapter 2. "Music Made in Hamburg": How One City's Music Scene Helped Make
Rock and Roll the Lingua Franca of Youth
Julia Sneeringer
Chapter 3. "With Every Inconceivable Finesse, Excess, and Good Music": Sex,
Affect, and Techno at Snax Club in Berlin
Luis-Manuel Garcia
PART II: THE LOCAL, THE REGIONAL, THE NATIONAL
Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening
between the Imperial and Postwar Eras
Neil Gregor
Chapter 5. Female Musicians and "Jewish" Music in the Jewish Kulturbund in
Bavaria, 1934-38 123
Dana Smith
Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich
Nationaltheater
Emily Richmond Pollock
PART III: GLOBALIZING MUSICAL GERMANNESS
Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern
Japan
Brooke McCorkle
Chapter 8. Hubert Parry, Germany, and the "North"
Thomas Irvine
PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES
Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria's
950th "Birthday" and the 50th Anniversary of Bruckner's Death
Lap-Kwan Kam
Chapter 10. Hearing the Nazi Past in the German Democratic Republic:
Antifascist Fantasies, Acoustic Realities, and Haunted
Memories in Georg Katzer's Aide -Mémoire (1983)
Martha Sprigge
Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic
Music, and Retro Dreams in Amerika
Sean Nye
Index