First published in Buenos Aires in 1960 as El Hacedor, Dreamtigers was translated into English by Mildred Boyer, professor emerita of romance languages at the University of Texas at Austin, and the poet Harold Morland. The late Miguel Engu?danos, who was Centennial Professor of Spanish at Vanderbilt University, wrote the introduction to this handsome volume, which is enhanced by woodcuts by the renowned artist Antonio Frasconi.
First published in Buenos Aires in 1960 as El Hacedor, Dreamtigers was translated into English by Mildred Boyer, professor emerita of romance languages at the University of Texas at Austin, and the poet Harold Morland. The late Miguel Engu?danos, who was Centennial Professor of Spanish at Vanderbilt University, wrote the introduction to this handsome volume, which is enhanced by woodcuts by the renowned artist Antonio Frasconi.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
First published in Buenos Aires in 1960 as El Hacedor, Dreamtigers was translated into English by Mildred Boyer, professor emerita of romance languages at the University of Texas at Austin, and the poet Harold Morland. The late Miguel Enguídanos, who was Centennial Professor of Spanish at Vanderbilt University, wrote the introduction to this volume, which is enhanced by woodcuts by the renowned artist Antonio Frasconi.
Inhaltsangabe
1. Introduction 2. Part I * To Leopoldo Lugones * The Maker * Dreamtigers * Dialogue on a Dialogue * Toenails * The Draped Mirrors * Argumentum Ornithologicum * The Captive * The Sham * Delia Elena San Marco * Dead Men's Dialogue * The Plot * A Problem * A Yellow Rose * The Witness * Martin Fierro * Mutations * Parable of Cervantes and Don Quixote * Paradiso, XXXI, 108 * Parable of the Palace * Everything and Nothing * Ragnarök * Inferno, I, 32 * Borges and I 3. Part II 4. Poem about Gifts 5. The Hourglass 6. The Game of Chess 7. Mirrors 8. Elvira de Alvear 9. Susana Soca 10. The Moon 11. The Rain 12. On the Effigy of a Captain in Cromwell's Armies 13. To an Old Poet 14. The Other Tiger 15. Blind Pew 16. Referring to a Ghost of Eighteen Hundred and Ninety-Odd 17. Referring to the Death of Colonel Francisco Borges (1835-1874) 18. In Memoriam: A. R. 19. The Borges 20. To Luis de Camoëns 21. Nineteen Hundred and Twenty-Odd 22. Ode Composed in 1960 23. Ariosto and the Arabs 24. On Beginning the Study of Anglo-Saxon Grammar 25. Luke XXIII 26. Adrogué 27. Ars Poetica 28. Museum * On Rigor in Science * Quatrain * Limits * The Poet Declares His Renown * The Magnanimous Enemy * The Regret of Heraclitus 29. Epilogue 30. Appendix: Some Facts in the Life of Jorge Luis Borges
1. Introduction 2. Part I * To Leopoldo Lugones * The Maker * Dreamtigers * Dialogue on a Dialogue * Toenails * The Draped Mirrors * Argumentum Ornithologicum * The Captive * The Sham * Delia Elena San Marco * Dead Men's Dialogue * The Plot * A Problem * A Yellow Rose * The Witness * Martin Fierro * Mutations * Parable of Cervantes and Don Quixote * Paradiso, XXXI, 108 * Parable of the Palace * Everything and Nothing * Ragnarök * Inferno, I, 32 * Borges and I 3. Part II 4. Poem about Gifts 5. The Hourglass 6. The Game of Chess 7. Mirrors 8. Elvira de Alvear 9. Susana Soca 10. The Moon 11. The Rain 12. On the Effigy of a Captain in Cromwell's Armies 13. To an Old Poet 14. The Other Tiger 15. Blind Pew 16. Referring to a Ghost of Eighteen Hundred and Ninety-Odd 17. Referring to the Death of Colonel Francisco Borges (1835-1874) 18. In Memoriam: A. R. 19. The Borges 20. To Luis de Camoëns 21. Nineteen Hundred and Twenty-Odd 22. Ode Composed in 1960 23. Ariosto and the Arabs 24. On Beginning the Study of Anglo-Saxon Grammar 25. Luke XXIII 26. Adrogué 27. Ars Poetica 28. Museum * On Rigor in Science * Quatrain * Limits * The Poet Declares His Renown * The Magnanimous Enemy * The Regret of Heraclitus 29. Epilogue 30. Appendix: Some Facts in the Life of Jorge Luis Borges
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