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This book is about the fabrication of the Indian by White culture and demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians. It offers careful case studies to describe the dominant cultural fabrication of the Indian.
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This book is about the fabrication of the Indian by White culture and demonstrates the complacency of white culture in its representation of its troubled relationship with American Indians. It offers careful case studies to describe the dominant cultural fabrication of the Indian.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 336
- Erscheinungstermin: 3. Mai 1996
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 488g
- ISBN-13: 9780813326672
- ISBN-10: 0813326672
- Artikelnr.: 21480243
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Routledge
- Seitenzahl: 336
- Erscheinungstermin: 3. Mai 1996
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 488g
- ISBN-13: 9780813326672
- ISBN-10: 0813326672
- Artikelnr.: 21480243
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
S. Elizabeth Bird
Introduction: Constructing the Indian, 1830s
1990s
The First but Not the Last of the "Vanishing Indians": Edwin Forrest and Mythic Re
creations of the Native Population
The Narratives of Sitting Bull's Surrender: Bailey, Dix & Mead's Photographic Western
Reduced to Images: American Indians in Nineteenth
Century Advertising
"Hudson's Bay Company Indians": Images of Native People and the Red River Pageant, 1920
Science and Spectacle: Native American Representation in Early Cinema
"There Is Madness in the Air": The 1926 Haskell Homecoming and Popular Representations of Sports in Federal Indian Boarding Schools
Indigenous Versus Colonial Discourse: Alcohol and American Indian Identity
"My Grandmother Was a Cherokee Princess": Representations of Indians in Southern History
Florida Seminoles and the Marketing of the Last Frontier
Segregated Stories: The Colonial Contours of the Little Bighorn Battlefield National Monument
A War of Words: How News Frames Define Legitimacy in a Native Conflict
Going Indian: Discovery, Adoption, and Renaming Toward a "True American," from Deerslayer to Dances with Wolves
"Her Beautiful Savage": The Current Sexual Image of the Native American Male
Cultural Heritage in Northern Exposure
Not My Fantasy: The Persistence of Indian Imagery in Dr. Quinn, Medicine Woman
Moo Mesa: Some Thoughts on Stereotypes and Image Appropriation
What Does One Look Like?
1990s
The First but Not the Last of the "Vanishing Indians": Edwin Forrest and Mythic Re
creations of the Native Population
The Narratives of Sitting Bull's Surrender: Bailey, Dix & Mead's Photographic Western
Reduced to Images: American Indians in Nineteenth
Century Advertising
"Hudson's Bay Company Indians": Images of Native People and the Red River Pageant, 1920
Science and Spectacle: Native American Representation in Early Cinema
"There Is Madness in the Air": The 1926 Haskell Homecoming and Popular Representations of Sports in Federal Indian Boarding Schools
Indigenous Versus Colonial Discourse: Alcohol and American Indian Identity
"My Grandmother Was a Cherokee Princess": Representations of Indians in Southern History
Florida Seminoles and the Marketing of the Last Frontier
Segregated Stories: The Colonial Contours of the Little Bighorn Battlefield National Monument
A War of Words: How News Frames Define Legitimacy in a Native Conflict
Going Indian: Discovery, Adoption, and Renaming Toward a "True American," from Deerslayer to Dances with Wolves
"Her Beautiful Savage": The Current Sexual Image of the Native American Male
Cultural Heritage in Northern Exposure
Not My Fantasy: The Persistence of Indian Imagery in Dr. Quinn, Medicine Woman
Moo Mesa: Some Thoughts on Stereotypes and Image Appropriation
What Does One Look Like?
Introduction: Constructing the Indian, 1830s
1990s
The First but Not the Last of the "Vanishing Indians": Edwin Forrest and Mythic Re
creations of the Native Population
The Narratives of Sitting Bull's Surrender: Bailey, Dix & Mead's Photographic Western
Reduced to Images: American Indians in Nineteenth
Century Advertising
"Hudson's Bay Company Indians": Images of Native People and the Red River Pageant, 1920
Science and Spectacle: Native American Representation in Early Cinema
"There Is Madness in the Air": The 1926 Haskell Homecoming and Popular Representations of Sports in Federal Indian Boarding Schools
Indigenous Versus Colonial Discourse: Alcohol and American Indian Identity
"My Grandmother Was a Cherokee Princess": Representations of Indians in Southern History
Florida Seminoles and the Marketing of the Last Frontier
Segregated Stories: The Colonial Contours of the Little Bighorn Battlefield National Monument
A War of Words: How News Frames Define Legitimacy in a Native Conflict
Going Indian: Discovery, Adoption, and Renaming Toward a "True American," from Deerslayer to Dances with Wolves
"Her Beautiful Savage": The Current Sexual Image of the Native American Male
Cultural Heritage in Northern Exposure
Not My Fantasy: The Persistence of Indian Imagery in Dr. Quinn, Medicine Woman
Moo Mesa: Some Thoughts on Stereotypes and Image Appropriation
What Does One Look Like?
1990s
The First but Not the Last of the "Vanishing Indians": Edwin Forrest and Mythic Re
creations of the Native Population
The Narratives of Sitting Bull's Surrender: Bailey, Dix & Mead's Photographic Western
Reduced to Images: American Indians in Nineteenth
Century Advertising
"Hudson's Bay Company Indians": Images of Native People and the Red River Pageant, 1920
Science and Spectacle: Native American Representation in Early Cinema
"There Is Madness in the Air": The 1926 Haskell Homecoming and Popular Representations of Sports in Federal Indian Boarding Schools
Indigenous Versus Colonial Discourse: Alcohol and American Indian Identity
"My Grandmother Was a Cherokee Princess": Representations of Indians in Southern History
Florida Seminoles and the Marketing of the Last Frontier
Segregated Stories: The Colonial Contours of the Little Bighorn Battlefield National Monument
A War of Words: How News Frames Define Legitimacy in a Native Conflict
Going Indian: Discovery, Adoption, and Renaming Toward a "True American," from Deerslayer to Dances with Wolves
"Her Beautiful Savage": The Current Sexual Image of the Native American Male
Cultural Heritage in Northern Exposure
Not My Fantasy: The Persistence of Indian Imagery in Dr. Quinn, Medicine Woman
Moo Mesa: Some Thoughts on Stereotypes and Image Appropriation
What Does One Look Like?