A study of the reception of Guillaume de Salluste Du Bartas (1544-90) that explores the responses in England and Scotland to Du Bartas's epic masterpiece, the Semaines; the development of his reputation; and the relation of his work to English epic verse, including the works of Spenser, Milton, and Hutchinson.
A study of the reception of Guillaume de Salluste Du Bartas (1544-90) that explores the responses in England and Scotland to Du Bartas's epic masterpiece, the Semaines; the development of his reputation; and the relation of his work to English epic verse, including the works of Spenser, Milton, and Hutchinson.
Peter Auger is Lecturer in Early Modern Literature at the University of Birmingham. He previously held a British Academy Postdoctoral Fellowship at Queen Mary University of London, and taught at Exeter College, Oxford. His work has addressed Franco-British literary relations, translation and imitation practices, literary reception, manuscript studies, epic and religious poetry, and language learning.
Inhaltsangabe
Preface 1: Introduction: The World as a Book Part I: A Jacobean Poet 2: History of a Friendship: James VI and Du Bartas 3: Solidarity and Compliance: Sixteenth-Century Translations 4: Curating the Protestant Imagination 5: Devine Weekes and its Readers Part II: Scriptural Poetry and the Self 6: Little Histories: Patterns for Divine Poetry I 7: Meditations: Patterns for Divine Poetry II 8: Writing for the Inner Eye 9: Retrospectives Appendix: Synopsis of the Semaines
Preface 1: Introduction: The World as a Book Part I: A Jacobean Poet 2: History of a Friendship: James VI and Du Bartas 3: Solidarity and Compliance: Sixteenth-Century Translations 4: Curating the Protestant Imagination 5: Devine Weekes and its Readers Part II: Scriptural Poetry and the Self 6: Little Histories: Patterns for Divine Poetry I 7: Meditations: Patterns for Divine Poetry II 8: Writing for the Inner Eye 9: Retrospectives Appendix: Synopsis of the Semaines
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