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"With just one collection of stories, Joyce left his mark on almost every short-story writer who followed him" -The Guardian In this collection of revelatory stories of Dublin in the late 19th century, James Joyce presented the everyday depiction of ordinary characters in moments of an epiphany. The fifteen stories begin with characters in childhood, and progress into adolescence, and finally into maturity. The final story, "The Dead" is considered one of the most extraordinary stories ever written in the English language. Many of the characters within this collection reappear in Joyce's later…mehr

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Produktbeschreibung
"With just one collection of stories, Joyce left his mark on almost every short-story writer who followed him" -The Guardian In this collection of revelatory stories of Dublin in the late 19th century, James Joyce presented the everyday depiction of ordinary characters in moments of an epiphany. The fifteen stories begin with characters in childhood, and progress into adolescence, and finally into maturity. The final story, "The Dead" is considered one of the most extraordinary stories ever written in the English language. Many of the characters within this collection reappear in Joyce's later work. Dubliners is a remarkably modern work, yet the most accessible of all of Joyce's writing. Authored in his early twenties, the short stories were completed in 1907, but were not published until 1914 due to many passages in the narratives that were considered too provocative to print. The stories in Dubliners were initially commissioned by an Irish farming magazine to depict quaint and brief tales of Irish life. Three stories were published before the magazine editor deemed the material unsuitable for the readership. Those appear among this extraordinary collection of 15 stories, which include: The Sisters, An Encounter, Araby, Eveline, After the Race, Two Gallants, The Boarding House, A Little Cloud, Counterparts, Clay, A Painful Case, Ivy Day in the Committee Room, A Mother, Grace, The Dead. With an eye-catching new cover, and professionally typeset manuscript, this edition of Dubliners is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Autorenporträt
James Augustine Aloysius Joyce (2 February 1882 - 13 January 1941) was an Irish novelist, short story writer, and poet. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, most famously stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, his published letters and occasional journalism. Joyce was born in 41 Brighton Square, Rathgar, Dublin, into a middle-class family. A brilliant student, he briefly attended the Christian Brothers-run O'Connell School before excelling at the Jesuit schools Clongowes and Belvedere, despite the chaotic family life imposed by his father's alcoholism and unpredictable finances. He went on to attend University College Dublin. In 1904, in his early twenties, Joyce emigrated to continental Europe with his partner (and later wife) Nora Barnacle. They lived in Trieste, Paris, and Zurich. Although most of his adult life was spent abroad, Joyce's fictional universe centres on Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there. Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses, he elucidated this preoccupation somewhat, saying, "For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal."