Louise Meintjes is Associate Professor of Music and Cultural Anthropology at Duke University and the author of Sound of Africa!¿Making Music Zulu in a South African Studio, also published by Duke University Press. TJ Lemon is an award-winning photojournalist based in Johannesburg.
Louise Meintjes is Associate Professor of Music and Cultural Anthropology at Duke University and the author of Sound of Africa!¿Making Music Zulu in a South African Studio, also published by Duke University Press. TJ Lemon is an award-winning photojournalist based in Johannesburg.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Louise Meintjes is Associate Professor of Music and Cultural Anthropology at Duke University and the author of Sound of Africa! Making Music Zulu in a South African Studio, also published by Duke University Press. TJ Lemon is an award-winning photojournalist based in Johannesburg.
Inhaltsangabe
Preface ix Acknowledgments xi Introduction. The Politics of Participation in Ngoma Song and Dance 1 1. Turning to Be Kissed: Praise, Flirtation, and the Work of Men 28 2. The Unwavering Voice: Affect, Eloquence, and the Moral Anger of Men 62 3. Feet of the Centipede: Military Aesthetics and the Politics of Reconciliation 94 4. To Quell the Dancer's Dust: Singing Violence during South Africa's Transition 124 5. The Crossing: World Music and Ngoma at Home 151 6. Dancing Around Disease: Silence, Ambiguity, and Brotherhood 182 7. The Digital Homestead: Having a Voice and the Sound of Marginalization 210 8. Brokering the Body: Culture, Heritage, and the Pleasure of Participation 240 Closing. Ngoma's Masculinity, South Africa's Struggle 266 Notes 273 References 307 Index 329
Preface ix Acknowledgments xi Introduction. The Politics of Participation in Ngoma Song and Dance 1 1. Turning to Be Kissed: Praise, Flirtation, and the Work of Men 28 2. The Unwavering Voice: Affect, Eloquence, and the Moral Anger of Men 62 3. Feet of the Centipede: Military Aesthetics and the Politics of Reconciliation 94 4. To Quell the Dancer's Dust: Singing Violence during South Africa's Transition 124 5. The Crossing: World Music and Ngoma at Home 151 6. Dancing Around Disease: Silence, Ambiguity, and Brotherhood 182 7. The Digital Homestead: Having a Voice and the Sound of Marginalization 210 8. Brokering the Body: Culture, Heritage, and the Pleasure of Participation 240 Closing. Ngoma's Masculinity, South Africa's Struggle 266 Notes 273 References 307 Index 329
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