Dying to Belong offers a unique look at the complex and fascinating genre of the gangster movie. Across the world, gangster films are often mistakenly viewed as an inferior and immoral - even dangerous - type of entertainment. By examining a broad range of films spanning several decades, Martha Nochimson deftly illustrates the darker, more substantial themes of dislocation and disorientation which define true gangster films. From Little Caesar and The Godfather to The Sopranos, the gangster's tale is that of an immigrant outsider looking in. The shock the gangster film delivers is not just…mehr
Dying to Belong offers a unique look at the complex and fascinating genre of the gangster movie. Across the world, gangster films are often mistakenly viewed as an inferior and immoral - even dangerous - type of entertainment. By examining a broad range of films spanning several decades, Martha Nochimson deftly illustrates the darker, more substantial themes of dislocation and disorientation which define true gangster films.
From Little Caesar and The Godfather to The Sopranos, the gangster's tale is that of an immigrant outsider looking in. The shock the gangster film delivers is not just in its physical violence, but in its perspective on the confusing and illusory promises of upward social mobility given to newcomers in Hollywood and Hong Kong. Here, classic screen traditions are explored using a new definition of the gangster genre. Offering no excuses for gangster behavior, Dying to Belong nevertheless highlights the disturbing resemblances of these "wild, bad men" to the straight citizens of two immigrant nations, in what is sure to be a controversial analysis of films that have historically been dismissed as part of a frivolous action genre.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Martha P. Nochimson has taught in the Department of Film and Television at the Tisch School of the Arts at New York University, and at Mercy College, where she developed and chaired a program in Film Studies, and she is the author of four other books, including her internationally acclaimed studies The Passion of David Lynch: Wild at Heart in Hollywood (1997); Dying to Belong: Gangster Movies in Hollywood and Hong Kong (Wiley-Blackwell, 2007); No End to Her: Soap Opera and the Female Subject; and Screen Couple Chemistry: The Power of 2. Dr. Nochimson has been invited to appear on television in her capacity as a film and media critic in the United States, Canada, and France, and she has covered international film festivals in New York, Montreal, and Istanbul for over a decade. Her numerous articles about world film and interviews of major directors have appeared in Cineaste, Film Quarterly, and The New Review of Film and Television Studies. Further information is available at her website www.marthapnochimson.com.
Inhaltsangabe
Acknowledgments. List of Illustrations. 1. Immigrant Movie Gangsters: The Outside Story. 2. A Frankensteinian Frenzy: Gangster Identity, Hollywood. 3. Gangster Identity, Hong Kong: A Taoist Code Warrior. 4. Hollywood: The Void of Material Success. 5. Dark Laughter at The Materialist Illusion: Hong Kong. 6. East Meets West: The Sopranos, Gangs of New York, Infernal Affairs. Afterword. The Lesson: From Here to Modernity. Appendix. Interview with David Chase (Excerpts From the Transcript). Notes. Bibliography. Filmography. Index
Acknowledgments. List of Illustrations. 1. Immigrant Movie Gangsters: The Outside Story. 2. A Frankensteinian Frenzy: Gangster Identity, Hollywood. 3. Gangster Identity, Hong Kong: A Taoist Code Warrior. 4. Hollywood: The Void of Material Success. 5. Dark Laughter at The Materialist Illusion: Hong Kong. 6. East Meets West: The Sopranos, Gangs of New York, Infernal Affairs. Afterword. The Lesson: From Here to Modernity. Appendix. Interview with David Chase (Excerpts From the Transcript). Notes. Bibliography. Filmography. Index
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