Covering a period of nearly 40 years' work by the author this collection of essays brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed.
Covering a period of nearly 40 years' work by the author this collection of essays brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
John Marshall has spent all of his academic career teaching in university departments of Drama. He taught in the Department of Drama: Theatre, Film and Television (now Department of Theatre), University of Bristol for 20 years. Following his retirement he was appointed Senior Research Fellow in Theatre at the University of Bristol, a post he continues to hold. He has published extensively in the areas of medieval English theatre and Robin Hood in performance. He has also acted in and directed productions of a wide range of plays from both categories.
Inhaltsangabe
Introduction by Philip Butterworth Part I: Dating staging and playing the Chester Whitsun Plays 1. 'The Chester Whitsun Plays: Dating of post-Reformation performances from the Smiths' accounts' Leeds Studies in English n.s 9 (1977) 2. 'Players of the Coopers' pageant from the Chester Plays in 1572 and 1575' Theatre Notebook 33 (1979) 3. '"The Manner of these Playes": The Chester pageant carriages and the places where they played' Staging the Chester Cycle ed. by David Mills (Leeds Leeds Texts and Monographs 1985) 4. 'Nailing the six-wheeled waggon: A sideview' Medieval English Theatre 12 (1985) 5. '"Walking in the air": The Chester shepherds on stilts' According to the Ancient Custom: Essays presented to David Mills ed. by Philip Butterworth Pamela M. King and Meg Twycross Medieval English Theatre 29 (2009 for 2007) Part II: Who where when and why: Non-cycle and single episode plays in performance 6. 'Marginal staging marks in the Macro manuscript of Wisdom' Medieval English Theatre 7 (1985) 7. '"Her virgynes as many as a man wylle": Dance and provenance in three late medieval plays; Wisdom/The Killing of the Children/The Conversion of St Paul' Leeds Studies in English n.s. 25 (1994) 8. '"Fortune in worldys worschyppe": The satirising of the Suffolks in Wisdom' Medieval English Theatre 14 (1994 for 1992) 9. '"O ye souerens that sytt and ye brothern that stonde right wppe" Addressing the audience of Mankind' in European Medieval Drama 1 (1997) ed. by Sydney Higgins (Turnhout; Brepols) Part III: Archiving the ephemeral: Contemporary depictions of performance and modern productions of medieval plays 10. 'The medieval English stage: A graffito of a hell-mouth scaffold?' Theatre Notebook 34 (1980) 11. 'The crowning with thorns and the mocking of Christ: A fifteenth-century performance analogue' Theatre Notebook 45 (1991) 12. 'A scene from the life of St Edmund: Dramatic representation in an English medieval alabaster' Theatre Notebook 48 (1994) 13. 'Modern productions of Medieval English plays' in The Cambridge Companion to Medieval English Theatre ed. by Richard Beadle (Cambridge: Cambridge University Press 1994) Part IV: Robin Hood Games: Customary performance and raising funds 14. '"goon in-to Bernysdale": The trail of the Paston Robin Hood play' Essays in Honour of Peter Meredith ed. by Catherine Batt Leeds Studies in English n.s 29 (1998) 15. '"Comyth in Robyn Hode": Paying and playing the outlaw in Croscombe' Porci ante Margaritam: Esays in Honour of Meg Twycross ed. by Sarah Carpenter Pamela King and Peter Meredith Leeds Studies in English n.s. 32 (2001) 16. 'Gathering in the name of the outlaw: REED and Robin Hood' in REED in Review: Essays in Celebration of the First Twenty-Five Years ed. by Audrey Douglas and Sally-Beth MacLean (Toronto: University of Toronto Press 2006) 17. 'Riding with Robin Hood: English pageantry and the making of a legend' in The Making of the Middle Ages: Liverpool Essays ed. by Marios Costembeys Andrew Hamer and Martin Heale (Liverpool: Liverpool University Press 2007) 18. 'Picturing Robin Hood in early print and performance: 1500-1590' in Images of Robin Hood: Medieval to Modern ed. by Lois Potter and Joshua Calhoun (Newark: University of Delaware Press 2008) 19. 'Revisiting and revising Robin Hood in sixteenth-century London' in Robin Hood in Outlaw/ed Spaces ed. by Lesley Coote and Valerie B. Johnson (London and New York: Routledge 2017) John Marshall's bibliography Index
Introduction by Philip Butterworth Part I: Dating staging and playing the Chester Whitsun Plays 1. 'The Chester Whitsun Plays: Dating of post-Reformation performances from the Smiths' accounts' Leeds Studies in English n.s 9 (1977) 2. 'Players of the Coopers' pageant from the Chester Plays in 1572 and 1575' Theatre Notebook 33 (1979) 3. '"The Manner of these Playes": The Chester pageant carriages and the places where they played' Staging the Chester Cycle ed. by David Mills (Leeds Leeds Texts and Monographs 1985) 4. 'Nailing the six-wheeled waggon: A sideview' Medieval English Theatre 12 (1985) 5. '"Walking in the air": The Chester shepherds on stilts' According to the Ancient Custom: Essays presented to David Mills ed. by Philip Butterworth Pamela M. King and Meg Twycross Medieval English Theatre 29 (2009 for 2007) Part II: Who where when and why: Non-cycle and single episode plays in performance 6. 'Marginal staging marks in the Macro manuscript of Wisdom' Medieval English Theatre 7 (1985) 7. '"Her virgynes as many as a man wylle": Dance and provenance in three late medieval plays; Wisdom/The Killing of the Children/The Conversion of St Paul' Leeds Studies in English n.s. 25 (1994) 8. '"Fortune in worldys worschyppe": The satirising of the Suffolks in Wisdom' Medieval English Theatre 14 (1994 for 1992) 9. '"O ye souerens that sytt and ye brothern that stonde right wppe" Addressing the audience of Mankind' in European Medieval Drama 1 (1997) ed. by Sydney Higgins (Turnhout; Brepols) Part III: Archiving the ephemeral: Contemporary depictions of performance and modern productions of medieval plays 10. 'The medieval English stage: A graffito of a hell-mouth scaffold?' Theatre Notebook 34 (1980) 11. 'The crowning with thorns and the mocking of Christ: A fifteenth-century performance analogue' Theatre Notebook 45 (1991) 12. 'A scene from the life of St Edmund: Dramatic representation in an English medieval alabaster' Theatre Notebook 48 (1994) 13. 'Modern productions of Medieval English plays' in The Cambridge Companion to Medieval English Theatre ed. by Richard Beadle (Cambridge: Cambridge University Press 1994) Part IV: Robin Hood Games: Customary performance and raising funds 14. '"goon in-to Bernysdale": The trail of the Paston Robin Hood play' Essays in Honour of Peter Meredith ed. by Catherine Batt Leeds Studies in English n.s 29 (1998) 15. '"Comyth in Robyn Hode": Paying and playing the outlaw in Croscombe' Porci ante Margaritam: Esays in Honour of Meg Twycross ed. by Sarah Carpenter Pamela King and Peter Meredith Leeds Studies in English n.s. 32 (2001) 16. 'Gathering in the name of the outlaw: REED and Robin Hood' in REED in Review: Essays in Celebration of the First Twenty-Five Years ed. by Audrey Douglas and Sally-Beth MacLean (Toronto: University of Toronto Press 2006) 17. 'Riding with Robin Hood: English pageantry and the making of a legend' in The Making of the Middle Ages: Liverpool Essays ed. by Marios Costembeys Andrew Hamer and Martin Heale (Liverpool: Liverpool University Press 2007) 18. 'Picturing Robin Hood in early print and performance: 1500-1590' in Images of Robin Hood: Medieval to Modern ed. by Lois Potter and Joshua Calhoun (Newark: University of Delaware Press 2008) 19. 'Revisiting and revising Robin Hood in sixteenth-century London' in Robin Hood in Outlaw/ed Spaces ed. by Lesley Coote and Valerie B. Johnson (London and New York: Routledge 2017) John Marshall's bibliography Index
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