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Short description/annotation
Musical history from the early Middle Ages to the end of the seventeenth century.
Main description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in volume 23 include: Guillaume de Machaut and his Canonry of Reims 1338-1377; Reading Carnival: The Creation of a Florentine Carnival Song; Schein's Occasional Music and the Social Order in 1620s Leipzig.
Table of contents:
Guillaume de Machaut and his Canory of Reims, 1338-1377 Roger Bowers; 'Notes as a Garland': The Chronology and Narrative of Byrd's Gradualia Kerry McCarthy; Folio Format and Musical Organisation in the Liturgical Repertoire of the Ivrea and Apt Codices Kevin N. Moll; Architectural Spaces for Music Jacopo Sansovino and Adrian Willaert at St. Marks Laura Moretti; Reading Carnival: The Creation of a Florentine Carnival Song William F. Prizer; Schein's Occasional Music and the social Order in 1620S Leipzig Stephen Rose.
Musical history from the early Middle Ages to the end of the seventeenth century.
Main description
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. The journal gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. Articles in volume 23 include: Guillaume de Machaut and his Canonry of Reims 1338-1377; Reading Carnival: The Creation of a Florentine Carnival Song; Schein's Occasional Music and the Social Order in 1620s Leipzig.
Table of contents:
Guillaume de Machaut and his Canory of Reims, 1338-1377 Roger Bowers; 'Notes as a Garland': The Chronology and Narrative of Byrd's Gradualia Kerry McCarthy; Folio Format and Musical Organisation in the Liturgical Repertoire of the Ivrea and Apt Codices Kevin N. Moll; Architectural Spaces for Music Jacopo Sansovino and Adrian Willaert at St. Marks Laura Moretti; Reading Carnival: The Creation of a Florentine Carnival Song William F. Prizer; Schein's Occasional Music and the social Order in 1620S Leipzig Stephen Rose.