Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
1. Machaut's motet 15 and the Roman de la rose: the literary context of Amours qui a le pouoir/Faus Samblant m'a deceii/Vidi Dominum Kevin Brownlee; 2. Decpetion, exegesis and sounding number in Machaut's motet 15 Margaret Bent; 3. 'Figura poetica molto vaga': structure and meaning in Rinuccini's Euridice Bojan Bujic; 4. Giulio de' Medici's music books Anthony M. Cummings; 5. On the staging of madrigal comedies Martha Farahat; 6. Parisian nobels, a Scottish princess and the woman's voice in late medieval song Paula Higgins; 7. The earliest sources of Notker's sequences: St Gallen, Vadiana 317 and Paris, Bibliotheque Nationale lat. 10587 Susan Rankin; 8. Petrus de Domarto's Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century Rob C. Wegman; Reviews.
1. Machaut's motet 15 and the Roman de la rose: the literary context of Amours qui a le pouoir/Faus Samblant m'a deceii/Vidi Dominum Kevin Brownlee; 2. Decpetion, exegesis and sounding number in Machaut's motet 15 Margaret Bent; 3. 'Figura poetica molto vaga': structure and meaning in Rinuccini's Euridice Bojan Bujic; 4. Giulio de' Medici's music books Anthony M. Cummings; 5. On the staging of madrigal comedies Martha Farahat; 6. Parisian nobels, a Scottish princess and the woman's voice in late medieval song Paula Higgins; 7. The earliest sources of Notker's sequences: St Gallen, Vadiana 317 and Paris, Bibliotheque Nationale lat. 10587 Susan Rankin; 8. Petrus de Domarto's Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century Rob C. Wegman; Reviews.
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