This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema-the years between the turn-of-the-century and 1930, the end of the silent film era-it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representatio
This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema-the years between the turn-of-the-century and 1930, the end of the silent film era-it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representatio
Barbara Tepa Lupack, former professor of English at St. John's University and Wayne State College and academic dean at SUNY/ESC, is author/editor of more than twenty-five books. Helm Fellow at the Lilly Library at Indiana University (2011) and Lehman Senior Scholar/Fellow at the Norman Rockwell Museum (2014-15), she is currently one of New York State's inaugural "Public Scholars" (2015-2017).
Inhaltsangabe
Introduction [Barbara Tepa Lupack] 1. "Put Together to Please a Colored Audience": Black Churches, Motion Pictures, and Migration at the Turn of the Twentieth Century [Cara Caddoo] 2. The Birth of a Nation, Melodramas of Black and White, and Early Race Filmmaking [Linda Williams] 3. The Ambitions of William Foster: Entrepreneurial Filmmaking at the Limits of Uplift Cinema [Allyson Nadia Field ] 4. In-and-Out-of-Race: The Story of Noble Johnson [Jane Gaines] 5. Evelyn Preer as a Vehicle of Victimization in Micheaux's Films [Charlene Regester] 6. Capitalizing on Race: White Producers of All-Black Cinema [Gerald R. Butters, Jr., Ph.D.] 7. "Busting 'Em Wide Open": Richard E. Norman and the Norman Manufacturing Company [Barbara Tepa Lupack] 8. Mediating Black Modernity: The Influence of the Race Press on Race Films [Anna Everett] 9. The Lafayette Theater: Crucible of African-American Dramatic Arts [Cary D. Wintz] 10. The Great Migration and the Rise of an Urban "Race Film" Culture [Davarian L. Baldwin] 11. Race Cinema, The Transition to Sound, and Hollywood's African-American-Cast Musicals [Ryan Jay Friedman] 12. Preserving Race Films [Jan-Christopher Horak]
Introduction [Barbara Tepa Lupack] 1. "Put Together to Please a Colored Audience": Black Churches, Motion Pictures, and Migration at the Turn of the Twentieth Century [Cara Caddoo] 2. The Birth of a Nation, Melodramas of Black and White, and Early Race Filmmaking [Linda Williams] 3. The Ambitions of William Foster: Entrepreneurial Filmmaking at the Limits of Uplift Cinema [Allyson Nadia Field ] 4. In-and-Out-of-Race: The Story of Noble Johnson [Jane Gaines] 5. Evelyn Preer as a Vehicle of Victimization in Micheaux's Films [Charlene Regester] 6. Capitalizing on Race: White Producers of All-Black Cinema [Gerald R. Butters, Jr., Ph.D.] 7. "Busting 'Em Wide Open": Richard E. Norman and the Norman Manufacturing Company [Barbara Tepa Lupack] 8. Mediating Black Modernity: The Influence of the Race Press on Race Films [Anna Everett] 9. The Lafayette Theater: Crucible of African-American Dramatic Arts [Cary D. Wintz] 10. The Great Migration and the Rise of an Urban "Race Film" Culture [Davarian L. Baldwin] 11. Race Cinema, The Transition to Sound, and Hollywood's African-American-Cast Musicals [Ryan Jay Friedman] 12. Preserving Race Films [Jan-Christopher Horak]
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