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When grass goes gold and the bright, still air is full of milkweed silk and cricket song, the daddy longlegs goes a-courting. So begins one of Ted Williams's essays on summer in this seasonal chronicle of the natural world. With the eye of a naturalist, the curiosity of a journalist, and the heart of a poet, Williams beckons us to walk with him through the year, to peer with him into ponds and nests and up at the night sky, and to bear witness to nature's ephemeral moments and miracles. Williams's words invite us to pause and experience "what is pure and clean and right with the world." His…mehr

Produktbeschreibung
When grass goes gold and the bright, still air is full of milkweed silk and cricket song, the daddy longlegs goes a-courting. So begins one of Ted Williams's essays on summer in this seasonal chronicle of the natural world. With the eye of a naturalist, the curiosity of a journalist, and the heart of a poet, Williams beckons us to walk with him through the year, to peer with him into ponds and nests and up at the night sky, and to bear witness to nature's ephemeral moments and miracles. Williams's words invite us to pause and experience "what is pure and clean and right with the world." His clarity of perception and evocative writing call our attention to the planet's complex and fragile beauty and remind us just how much we stand to lose when we stop noticing.
Autorenporträt
Ted Williams writes full-time on fish and wildlife issues in a monthly “Recovery” column for The Nature Conservancy’s Cool Green Science and in various other publications. A longtime contributor to Audubon magazine, Williams was recognized by the Outdoor Writers Association of America (OWAA) as the nation’s best outdoor columnist and has received numerous other national writing and conservation awards. He serves as national chair of the Native Fish Coalition and lives in Grafton, Massachusetts. Verlyn Klinkenborg is the author of The Last Fine Time, Making Hay, and The Rural Life. His articles have appeared in many magazines, including The New Yorker, Harper's, Audubon, Smithsonian, and The New Republic. He teaches creative writing at Harvard University.