Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.
Jessica L. Horton reveals how Native American art in the mid-twentieth-century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations.
Acknowledgments ix Introduction 1 1. Contested Kinship: More-than-Human Relations or the Family of Man? 35 2. Rebalancing Power: Diné Sandpainting and Sand Mining 80 3. Earth Mothers: Diné Weaving and Trans-Indigenous Ecofeminism 120 4. Tipis and Domes: Modeling the Blackfeet Cosmos at a World Fair 162 5. The Truth Line: Oscar Howe's Sacred Pipe Modernism 217 Conclusion: Artist-Diplomat-Vampire 269 Notes 279 Bibliography 329 Index 365
Acknowledgments ix Introduction 1 1. Contested Kinship: More-than-Human Relations or the Family of Man? 35 2. Rebalancing Power: Diné Sandpainting and Sand Mining 80 3. Earth Mothers: Diné Weaving and Trans-Indigenous Ecofeminism 120 4. Tipis and Domes: Modeling the Blackfeet Cosmos at a World Fair 162 5. The Truth Line: Oscar Howe's Sacred Pipe Modernism 217 Conclusion: Artist-Diplomat-Vampire 269 Notes 279 Bibliography 329 Index 365
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