Easter Island - Dos Passos, John
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Despite sickness in the final years of his life, Dos Passos presses on for adventure. He and his wife journey to Easter Island, where they explore the history behind the famous statues-called maois. "When I was a small boy," Dos Passos says, "some kind person took me to the British Museum. There I saw a statue, a huge, rough, dark-gray statue with [a] long, sad, dark-gray face. The statue stared back out of deep, sunken eyes. What was it trying to say? To this day I can remember the feeling it gave me of savage, brooding melancholy."

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Produktbeschreibung
Despite sickness in the final years of his life, Dos Passos presses on for adventure. He and his wife journey to Easter Island, where they explore the history behind the famous statues-called maois. "When I was a small boy," Dos Passos says, "some kind person took me to the British Museum. There I saw a statue, a huge, rough, dark-gray statue with [a] long, sad, dark-gray face. The statue stared back out of deep, sunken eyes. What was it trying to say? To this day I can remember the feeling it gave me of savage, brooding melancholy."
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Autorenporträt
John Roderigo Dos Passos (1896 - 1970) was an American novelist and artist active in the first half of the twentieth century. Born in Chicago, Illinois, he graduated from Harvard College in 1916. He was well-traveled, visiting Europe and the Middle East, where he learned about literature, art and architecture. During World War I, he was a member of the American Volunteer Motor Ambulance Corps in Paris and in Italy, later joining the U.S. Army Medical Corps. In 1920 Dos Passos' first novel, One Man's Initiation: 1917 was published and in 1925 his novel, Manhattan Transfer, became a commercial success. In 1928, he went to the Soviet Union to study socialism and later became a leading participant in the 1935 First American Writers Congress sponsored by the communist-leaning League of American Writers. He was in Spain in 1937 during the Spanish Civil War, when the murder of his friend José Robles soured his attitude toward communism and led to severing his relationship with fellow writer Ernest Hemingway.